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Full Product Details

Author:   Mira Balaban ,  Kemel Ebcioglu ,  Otto E. Laske ,  O. Laske (President, NEWCOMP Inc, The New England Computer Arts Association Inc, USA)
Publisher:   MIT Press Ltd
Imprint:   MIT Press
Dimensions:   Width: 17.80cm , Height: 3.60cm , Length: 24.10cm
Weight:   1.134kg
ISBN:  

9780262521703

ISBN 10:   0262521709
Pages:   550
Publication Date:   16 July 1992
Recommended Age:   From 18 years
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   No Longer Our Product
Availability:   Out of stock  
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Part 1 Two views on cognitive musicology: artificial intelligence and music - cornerstone of cognitive musicology, O. Laske; beyond computational musicology, P. Kugel. Part 2 General problems in modeling musical activities: representing listening behaviour - problems and prospects, S.W. Smoliar; symbolic and sonic representations of sound-object structures, B. Bel; music structures - interleaving the temporal and hierarchical aspects in music, B. Balaban; on designing a typed music language, E.B. Blevis, et al; logical representation and induction for computer assisted composition, F. Courtot. Part 3 Music composition: cybernetic composer - an overview, C. Ames and M. Domino; Wolfgang - a system using emoting potentials to manage musical design, R.D. Riecken; on the application of problem reduction search to automated composition, S.C. Marsella and C.F. Schmidt; the observer tradition of knowledge acquisition, O. Laske. Part 4 Analysis: an expert system for harmonizing chorales in the style of J.S. Bach, K. Ebcioglu; an expert system for harmonic analysis of tonal music, H.J. Maxwell; on the algorithmic representation of musical style, D. Cope. Part 5 Performance: Bol processor grammars, B. Bel and J. Kippen; a new approach to music through vision, S. Ohteru and S. Hashimoto. Part 6 Perception: analyzing and representing musical rhythm, C. Linster; on the perception of metre, B.O. Miller, et al; the quantization problem - traditional and connectionist approaches, P. Desain and H. Honing. Part 7 Learning and tutoring: an architecture for an intelligent tutoring system, M.J. Baker; a knowledge intensive approach to mcachine learning in tonal music, G. Widmer.

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Author Information

M. Balaban is Senior Lecturer in the Department of Mathematics and Computer Science at Ben-Gurion University. K. Ebcioglu is Research Scientist in the Computer Sciences Department, IBM Thomas J. Watson Research Center. 0. Laske is a composer and President of NEWCOMP, Inc., The New England Computer Arts Association, Inc.

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