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Awards
OverviewFull Product DetailsAuthor: Nizan ShakedPublisher: Manchester University Press Imprint: Manchester University Press ISBN: 9781784992750ISBN 10: 1784992755 Pages: 280 Publication Date: 01 June 2017 Audience: College/higher education , Professional and scholarly , College/higher education , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews'Nizan Shaked's approach to Conceptual art is original, eloquent and informed by a quality of thought and scholarship that will set a new standard of excellence for work on this subject. Her grasp of the field is both capacious in its breadth and erudite in its depth and attention to artistic and historical detail. It is full of original insights - all delivered to the reader in unusually graceful prose. This book promises to be a ground-breaker.' Adrian Piper -- . 'Nizan Shaked's approach to Conceptual art is original, eloquent and informed by a quality of thought and scholarship that will set a new standard of excellence for work on this subject. Her grasp of the field is both capacious in its breadth and erudite in its depth and attention to artistic and historical detail. It is full of original insights - all delivered to the reader in unusually graceful prose. This book promises to be a ground-breaker.' Adrian Piper 'The premise of The Synthetic Proposition takes some of its cues from Joseph Kosuth's ideas on art and philosophy. This coupled with an historical lens focusing specifically on marginalized groups such as the Black Panthers and the Gay Rights Movement beginning during the American Civil Rights era to help support the parallel trajectory of art during this period. A large component of Shaked's proposition is if Conceptual Art is a 1960s entity, then conceptualism is the natural offspring resulting from identity politics and early forms of feminist intersectionality paired with artistic practice. Shaked carefully lays out the distinctions and argues for another way of historicizing late 1960s to 1990s art practices, besides the more common dichotomy of those practicing art for art's sake and so-called political art.' Jasper Lastoria, ARLIS/NA (January 2018) -- . Author InformationNizan Shaked is Associate Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach Tab Content 6Author Website:Countries AvailableAll regions |