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Author:   J. Pedro Lorente
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138350335

ISBN 10:   1138350338
Pages:   330
Publication Date:   19 December 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction; Part I The Parisian Musée du Luxembourg as a Paradigm in the 19th Century: The origin of the Musée des Artistes Vivants in Paris; The first emulators and alternatives to the Luxembourg; Unresolved dilemmas in the last third of the 19th century; Utopian ideas and experiments at the turn of the 19th century. Part II The Role of the MoMA of New York as the International Model of the 20th Century: Foundations and context of the MoMA's creation; MoMA's transition to adulthood amidst war and confrontations; MoMA as an international role model during the Cold War: triumph and opposition; The Pompidou Centre, a counter-model which ends up imitating MoMA; Topographic review of the new museums of contemporary art at the turn of the millennium; Epilogue; References; Index.

Reviews

'This is the book that many people were waiting for. Entering the 21st century, it is vital to read this original and well documented book which historically analyzes the evolution of modern museums while insisting on a sharp analysis of our contemporary museums' excesses. This book should help future students as well as museum directors to understand the high stakes of the new cultural game in the renewed debate around the working of our democracies.' Serge Guilbaut, University of British Columbia, Canada. 'Thirty-two half-page black pencil drawings help show the significance of architecture in this history. The addition of a 16-page multilingual bibliography makes this volume a fine current reference... Recommended.' Choice 'A visually appealing and elegant volume, with the addition of thirty-two half-page black pencil drawings which help show the significance of architecture in this history of museums of contemporary art, The Museums of Contemporary Art is clearly the product of a great deal of careful research. ... To conclude, Lorente's work successfully illuminates an area in the history of museums of contemporary art. With the addition of a 16-page multilingual bibliography as one of its many strengths, this volume is an appropriate current reference towards understanding the high stakes of the cultural game in a renewed debate of the role and purposes of museums of art.' Museum & Society

'This is the book that many people were waiting for. Entering the 21st century, it is vital to read this original and well documented book which historically analyzes the evolution of modern museums while insisting on a sharp analysis of our contemporary museums' excesses. This book should help future students as well as museum directors to understand the high stakes of the new cultural game in the renewed debate around the working of our democracies.' Serge Guilbaut, University of British Columbia, Canada. 'Thirty-two half-page black pencil drawings help show the significance of architecture in this history. The addition of a 16-page multilingual bibliography makes this volume a fine current reference... Recommended.' Choice 'A visually appealing and elegant volume, with the addition of thirty-two half-page black pencil drawings which help show the significance of architecture in this history of museums of contemporary art, The Museums of Contemporary Art is clearly the product of a great deal of careful research. ... To conclude, Lorente’s work successfully illuminates an area in the history of museums of contemporary art. With the addition of a 16-page multilingual bibliography as one of its many strengths, this volume is an appropriate current reference towards understanding the high stakes of the cultural game in a renewed debate of the role and purposes of museums of art.' Museum & Society

Author Information

J. Pedro Lorente, Universidad de Zaragoza, Spain

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