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Ned O'Gorman is associate professor of communication and a Conrad Humanities Scholar at the University of Illinois at Urbana-Champaign. He is the author of Spirits of the Cold War: Contesting Worldviews in the Classical Age of American Security Strategy.

""O'Gorman is setting out a powerful argument about American public culture, and one that contributes directly to current reconsiderations of visual representation, political aesthetics, media coverage of disasters, and cultural change. By exploring neoliberalism's deep affinity with iconoclasm, this book reveals how ideology runs deeper than economic doctrine, how image analysis is a vital resource for social theory, and why catastrophe may become one of the characteristic themes of the twenty-first century.""-- ""Robert Hariman, Northwestern University"" ""The book is an intellectual history, but also a history of state policy during the Cold War. It is a history of media, but also of political economy. It dabbles in the minutiae of film analysis, and it meanders from Byzantine iconography and Protestant iconoclasm through Thomas Hobbes's Leviathan and Immanuel Kant's theory of the sublime. It dizzies readers so they might orient themselves in a free-floating neoliberal imaginary. It demands complete attention.""-- ""American Quarterly"" ""O'Gorman is an elegant, critically rigorous, and accessible writer who situates insightful textual analyses within historical and theoretical discussions. The Iconoclastic Imagination focuses interdisciplinary attention to the relationships between visuality, contemporary politics, and neoliberalism that will, no doubt, contribute to recent reconsiderations of the Cold War and post-Cold War periods. This is a beautifully written discussion of the complexly interwoven philosophical and political traditions of both iconoclasm and the sublime in recent American history.""-- ""Wendy Kozol, Oberlin College"" ""O'Gorman offers a vital new reading of the 'where were you when' image-event in the era of neoliberal structural adjustment. Showing both the formation and limits of an American political culture increasingly reliant on the image to articulate the very terms of violence, The Iconoclastic Imagination is a provocative and timely intervention.""-- ""Joseph Masco, University of Chicago""

"""O'Gorman is setting out a powerful argument about American public culture, and one that contributes directly to current reconsiderations of visual representation, political aesthetics, media coverage of disasters, and cultural change. By exploring neoliberalism's deep affinity with iconoclasm, this book reveals how ideology runs deeper than economic doctrine, how image analysis is a vital resource for social theory, and why catastrophe may become one of the characteristic themes of the twenty-first century.""-- ""Robert Hariman, Northwestern University"" ""The book is an intellectual history, but also a history of state policy during the Cold War. It is a history of media, but also of political economy. It dabbles in the minutiae of film analysis, and it meanders from Byzantine iconography and Protestant iconoclasm through Thomas Hobbes's Leviathan and Immanuel Kant's theory of the sublime. It dizzies readers so they might orient themselves in a free-floating neoliberal imaginary. It demands complete attention.""-- ""American Quarterly"" ""O'Gorman is an elegant, critically rigorous, and accessible writer who situates insightful textual analyses within historical and theoretical discussions. The Iconoclastic Imagination focuses interdisciplinary attention to the relationships between visuality, contemporary politics, and neoliberalism that will, no doubt, contribute to recent reconsiderations of the Cold War and post-Cold War periods. This is a beautifully written discussion of the complexly interwoven philosophical and political traditions of both iconoclasm and the sublime in recent American history.""-- ""Wendy Kozol, Oberlin College"" ""O'Gorman offers a vital new reading of the 'where were you when' image-event in the era of neoliberal structural adjustment. Showing both the formation and limits of an American political culture increasingly reliant on the image to articulate the very terms of violence, The Iconoclastic Imagination is a provocative and timely intervention.""-- ""Joseph Masco, University of Chicago"""

O'Gorman is setting out a powerful argument about American public culture, and one that contributes directly to current reconsiderations of visual representation, political aesthetics, media coverage of disasters, and cultural change. By exploring neoliberalism's deep affinity with iconoclasm, this book reveals how ideology runs deeper than economic doctrine, how image analysis is a vital resource for social theory, and why catastrophe may become one of the characteristic themes of the twenty-first century. --Robert Hariman, Northwestern University The book is an intellectual history, but also a history of state policy during the Cold War. It is a history of media, but also of political economy. It dabbles in the minutiae of film analysis, and it meanders from Byzantine iconography and Protestant iconoclasm through Thomas Hobbes's Leviathan and Immanuel Kant's theory of the sublime. It dizzies readers so they might orient themselves in a free-floating neoliberal imaginary. It demands complete attention. --American Quarterly O'Gorman offers a vital new reading of the 'where were you when' image-event in the era of neoliberal structural adjustment. Showing both the formation and limits of an American political culture increasingly reliant on the image to articulate the very terms of violence, The Iconoclastic Imagination is a provocative and timely intervention. --Joseph Masco, University of Chicago O'Gorman is an elegant, critically rigorous, and accessible writer who situates insightful textual analyses within historical and theoretical discussions. The Iconoclastic Imagination focuses interdisciplinary attention to the relationships between visuality, contemporary politics, and neoliberalism that will, no doubt, contribute to recent reconsiderations of the Cold War and post-Cold War periods. This is a beautifully written discussion of the complexly interwoven philosophical and political traditions of both iconoclasm and the sublime in recent American history. --Wendy Kozol, Oberlin College

O'Gorman is setting out a powerful argument about American public culture, and one that contributes directly to current reconsiderations of visual representation, political aesthetics, media coverage of disasters, and cultural change. By exploring neoliberalism's deep affinity with iconoclasm, this book reveals how ideology runs deeper than economic doctrine, how image analysis is a vital resource for social theory, and why catastrophe may become one of the characteristic themes of the twenty-first century. --Robert Hariman, Northwestern University The book is an intellectual history, but also a history of state policy during the Cold War. It is a history of media, but also of political economy. It dabbles in the minutiae of film analysis, and it meanders from Byzantine iconography and Protestant iconoclasm through Thomas Hobbes's Leviathan and Immanuel Kant's theory of the sublime. It dizzies readers so they might orient themselves in a free-floating neoliberal imaginary. It demands complete attention. --American Quarterly O'Gorman is an elegant, critically rigorous, and accessible writer who situates insightful textual analyses within historical and theoretical discussions. The Iconoclastic Imagination focuses interdisciplinary attention to the relationships between visuality, contemporary politics, and neoliberalism that will, no doubt, contribute to recent reconsiderations of the Cold War and post-Cold War periods. This is a beautifully written discussion of the complexly interwoven philosophical and political traditions of both iconoclasm and the sublime in recent American history. --Wendy Kozol, Oberlin College O'Gorman offers a vital new reading of the 'where were you when' image-event in the era of neoliberal structural adjustment. Showing both the formation and limits of an American political culture increasingly reliant on the image to articulate the very terms of violence, The Iconoclastic Imagination is a provocative and timely intervention. --Joseph Masco, University of Chicago

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Ned O'Gorman is associate professor of communication and a Conrad Humanities Scholar at the University of Illinois at Urbana-Champaign. He is the author of Spirits of the Cold War: Contesting Worldviews in the Classical Age of American Security Strategy.

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