Awards

• Winner of Choice Outstanding Academic Title 2016

Overview

As editor of the quarterly Salmagundi for the past fifty years, Robert Boyers has been on the cutting edge of developments in politics, culture, and the arts. Reflecting on his collaborations and quarrels with some of the twentieth century's most transformative writers, artists, and thinkers, Boyers writes a wholly original intellectual memoir that rigorously confronts selected aspects of contemporary society. Organizing his chapters around specific ideas, Boyers anatomizes the process by which they fall in and out of fashion and often confuse those who most ardently embrace them. In provocative encounters with authority, fidelity, ""the other,"" pleasure, and a wide range of other topics, Boyers tells colorful stories about his own life and, in the process, studies the fate of ideas in a society committed to change and ill equipped to assess the losses entailed in modernity. Among the writers who appear in these pages are Susan Sontag and V. S. Naipaul, Jamaica Kincaid and J. M. Coetzee, as well as figures drawn from all walks of life, including unfaithful husbands, psychoanalysts, terrorists, and besotted beauty lovers.

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9780231173803

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Reviews

The Fate of Ideas is a brilliant, highly original, and delightful book that achieves a unique balance between criticism and personal essay, revealing the author himself as both a decisive thinker and an appealingly flawed, divided human being. Looking at a wide range of ideas by peeling away attendant presuppositions and contradictions, Robert Boyers argues with friends, intellectual heroes, and respected elders while examining his own prejudices. Throughout we find ourselves in the company of a first-rate mind alert to changes in intellectual fashion and the quickness with which politically or aesthetically 'correct' assumptions harden into received ideas. -- Phillip Lopate, director (nonfiction) of the Writing Program, Columbia University School of the Arts, and author of Getting Personal: Selected Essays In a dance that is both demanding and exhilarating, Robert Boyers engages thinkers and ideas, insisting there are things worth arguing about that are larger and grander than the standard scholarly or academic discourse can get at. An elegant and courageous book. -- Mary Gordon, Mcintosh Professor, Barnard College, author of The Company of Women This book is a combination of memoir and cultural criticism, though all of the chapters shed light on the protean character of the author, a prominent cultural critic and--perhaps above all--the founder and longtime editor of the quarterly Salmagundi. Whatever form they take--some chapters are deeply personal, others are largely polemical--all are thought experiments, essays often ironic and self-deprecating, Emersonian in the sense that Robert Boyers is unabashed in his 'appetite for masters and masterpieces' that can become 'a constitutive aspect of my very being.' A superb and singular work. -- James Miller, director of liberal studies, graduate faculty, New School for Social Research, author of The Passion of Michel Foucault An attractive, original, subtle, and heartening book that combines the methods of the moral and personal essay with informal literary and cultural criticism. -- Richard Locke, Columbia University, author of Critical Children: The Use of Childhood in Ten Great Novels

The Fate of Ideas is a brilliant, highly original, and delightful book that achieves a unique balance between criticism and personal essay, revealing the author himself as both a decisive thinker and an appealingly flawed, divided human being. Looking at a wide range of ideas by peeling away attendant presuppositions and contradictions, Robert Boyers argues with friends, intellectual heroes, and respected elders while examining his own prejudices. Throughout we find ourselves in the company of a first-rate mind alert to changes in intellectual fashion and the quickness with which politically or aesthetically 'correct' assumptions harden into received ideas. -- Phillip Lopate, director (nonfiction) of the Writing Program, Columbia University School of the Arts, and author of Getting Personal: Selected Essays In a dance that is both demanding and exhilarating, Robert Boyers engages thinkers and ideas, insisting there are things worth arguing about that are larger and grander than the standard scholarly or academic discourse can get at. An elegant and courageous book. -- Mary Gordon, Mcintosh Professor, Barnard College, author of The Company of Women This book is a combination of memoir and cultural criticism, though all of the chapters shed light on the protean character of the author, a prominent cultural critic and-perhaps above all-the founder and longtime editor of the quarterly Salmagundi. Whatever form they take-some chapters are deeply personal, others are largely polemical-all are thought experiments, essays often ironic and self-deprecating, Emersonian in the sense that Robert Boyers is unabashed in his 'appetite for masters and masterpieces' that can become 'a constitutive aspect of my very being.' A superb and singular work. -- James Miller, director of liberal studies, graduate faculty, New School for Social Research, author of The Passion of Michel Foucault An attractive, original, subtle, and heartening book that combines the methods of the moral and personal essay with informal literary and cultural criticism. -- Richard Locke, Columbia University, author of Critical Children: The Use of Childhood in Ten Great Novels The 12 literary essays collected in this volume are bottomless wells of provocation and insight... Readers who crave rich food for thought will find much to savor in this volume. Publisher's Weekly (starred review) Boyers's intellectual rigor and literary acuity showcase the life's work of an individual deeply committed to the liberal arts. A timely collection... Essential. Choice

The Fate of Ideas is a brilliant, highly original, and delightful book that achieves a unique balance between criticism and personal essay, revealing the author himself as both a decisive thinker and an appealingly flawed, divided human being. Looking at a wide range of ideas by peeling away attendant presuppositions and contradictions, Robert Boyers argues with friends, intellectual heroes, and respected elders while examining his own prejudices. Throughout we find ourselves in the company of a first-rate mind alert to changes in intellectual fashion and the quickness with which politically or aesthetically 'correct' assumptions harden into received ideas. -- Phillip Lopate, director (nonfiction) of the Writing Program, Columbia University School of the Arts, and author of <i>Getting Personal: Selected Essay</i>s In a dance that is both demanding and exhilarating, Robert Boyers engages thinkers and ideas, insisting there are things worth arguing about that are larger and grander than the standard scholarly or academic discourse can get at. An elegant and courageous book. -- Mary Gordon, Mcintosh Professor, Barnard College, author of <i>The Company of Women</i> This book is a combination of memoir and cultural criticism, though all of the chapters shed light on the protean character of the author, a prominent cultural critic and-perhaps above all-the founder and longtime editor of the quarterly Salmagundi. Whatever form they take-some chapters are deeply personal, others are largely polemical-all are thought experiments, essays often ironic and self-deprecating, Emersonian in the sense that Robert Boyers is unabashed in his 'appetite for masters and masterpieces' that can become 'a constitutive aspect of my very being.' A superb and singular work. -- James Miller, director of liberal studies, graduate faculty, New School for Social Research, author of <i>The Passion of Michel Foucault</i> An attractive, original, subtle, and heartening book that combines the methods of the moral and personal essay with informal literary and cultural criticism. -- Richard Locke, Columbia University, author of <i>Critical Children: The Use of Childhood in Ten Great Novels</i> The 12 literary essays collected in this volume are bottomless wells of provocation and insight.... Readers who crave rich food for thought will find much to savor in this volume. * Publisher's Weekly (starred review) * Boyers's intellectual rigor and literary acuity showcase the life's work of an individual deeply committed to the liberal arts. A timely collection.... Essential. * Choice *

The Fate of Ideas is a brilliant, highly original and delightful book which achieves a unique balance between criticism and personal essay, revealing the author himself as both a decisive thinker and an appealingly flawed, divided human being. Looking at a wide range of ideas by peeling away attendant presuppositions and contradictions, the author argues with friends, intellectual heroes and respected elders while examining his own prejudices in a Montaigne-like process of accumulated self-portraiture marked by honesty and by a love of paradox and irresolution. Throughout we find ourselves in the company of a first-rate mind alert to changes in intellectual fashion and the quickness with which politically or aesthetically 'correct' assumptions harden into received ideas -- Phillip Lopate, Director (Nonfiction) of the Writing Program, Columbia University School of the Arts In a dance that is both demanding and exhilarating Robert Boyers engages thinkers and ideas, insisting that there are things worth arguing about that are larger, grander, than the standard scholarly or academic discourse can get at. This is an elegant and courageous book. -- Mary Gordon, McIntosh Professor of Literature, Barnard College This book is a combination of memoir and cultural criticism, though all of the chapters shed light on the protean character of the author, a prominent cultural critic and--perhaps above all--the founder and long-time editor of the quarterly Salmagundi. Whatever form they take--some of the chapters are deeply personal, others largely polemical--all of them are thought experiments, essays often ironic and self-deprecating, Emersonian in the sense that Boyers is unabashed in his 'appetite for masters and masterpieces' that can become 'a constitutive aspect of my very being.' A superb and singular work. -- James Miller, Director of Liberal Studies, Graduate Faculty, New School for Social Research An attractive, original, subtle, and heartening book that combines the methods of the moral and personal essay with informal literary and cultural criticism. -- Richard Locke, Columbia University and author of Critical Children: The Use of Childhood in Ten Great Novels

Author Information

Robert Boyers is professor of English at Skidmore College and founder and editor of the quarterly Salmagundi. He is also director of The New York State Summer Writers Institute. His many books include The Dictator's Dictation: The Politics of Novels and Novelists and a volume of short stories entitled Excitable Women, Damaged Men. His essays have appeared in Harper's, the New Republic, the Nation, Granta, the Yale Review, and many other magazines.

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