The Critical Imagination

Author:   James Grant (Exeter College, Oxford)
Publisher:   Oxford University Press
ISBN:  

9780199661794


Pages:   206
Publication Date:   11 April 2013
Format:   Hardback
Availability:   To order   Availability explained
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The Critical Imagination


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Author:   James Grant (Exeter College, Oxford)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.70cm , Height: 1.60cm , Length: 22.70cm
Weight:   0.418kg
ISBN:  

9780199661794


ISBN 10:   0199661790
Pages:   206
Publication Date:   11 April 2013
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

The Critical Imagination is a well-organized and clearly written book that moves swiftly between abstract argumentation and concrete cases of art criticism. The arguments Grant uses are strong, and the views he defends are plausible, but controversial enough to be found interesting. Rafael De Clercq, Australasian Journal of Philosophy Grant's convincing analyses of the role of imagination in criticism and of metaphor make this book well worth careful study. He does invaluable work in rehabilitating critical appreciation as an activity and in describing much of its structure. Richard Eldridge, Notre Dame Philosophical Reviews


[A] very helpful resource for anyone seriously interested in art appreciation or the figurative use of language. Besides providing some of the blueprints for a fuller theory of metaphor, The Critical Imagination contains numerous small conceptual revelations capable of informing and enriching a readers encounters with art criticism. George Hull, The Philosophical Quarterly The Critical Imagination is a well-organized and clearly written book that moves swiftly between abstract argumentation and concrete cases of art criticism. The arguments Grant uses are strong, and the views he defends are plausible, but controversial enough to be found interesting. Rafael De Clercq, Australasian Journal of Philosophy Grant's convincing analyses of the role of imagination in criticism and of metaphor make this book well worth careful study. He does invaluable work in rehabilitating critical appreciation as an activity and in describing much of its structure. Richard Eldridge, Notre Dame Philosophical Reviews


Author Information

James Grant is a Tutorial Fellow of Exeter College, Oxford.

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