The Art Gallery on Stage: New Vistas on Contemporary British Playwriting

Awards:   Winner of AIA (Associazione Italiana di Anglistica) Book Prize 2024 (UK)
Author:   Mariacristina Cavecchi ,  Mark Taylor-Batty (University of Leeds UK) ,  Enoch Brater (University of Michigan USA)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350330733


Pages:   290
Publication Date:   18 September 2025
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Art Gallery on Stage: New Vistas on Contemporary British Playwriting


Awards

  • Winner of AIA (Associazione Italiana di Anglistica) Book Prize 2024 (UK)

Overview

Winner of the AIA (Associazione Italiana di Anglistica) Book Prize 2024 The Art Gallery on Stage is the first book to consider the representation of the art gallery on the contemporary British stage and to discuss how playwrights have begun to regard it as inspiration, location, focus or theme in an ever-more intense game of cross-fertilization. The study analyzes the impact on dramatic form and theatrical presentation of what has been a paradigmatic shift in the way art galleries and museums display their collections and how these are perceived, establishing a hitherto unexplored connection between modes of exhibiting and modes of representation. It traces a trajectory from plays that were initially performed in traditional theatres in accordance with a naturalistic play structure to plays that favour of a radical reconfiguration of visual representation. Indeed, since the beginning of the new millennium, playwrights and theatre-makers have increasingly experimented with new dramatic forms and site-specific venues, while forging collaborations with art makers and curators. The book focuses on plays from the 1980s onwards, such as Howard Barker’s Scenes from an Execution, Nick Dear’s The Art of Success, Alan Bennett’s A Question of Attribution, Timberlake Wertenbaker's Three Birds Alighting on a Field and The Line, David Edgar’s Pentecost, Martin Crimp’s Attempt on Her Life, Rebecca Lenkiewicz’s Shoreditch Madonna and The Painter, David Leddy’s Long Live the Little Knife, and Tim Crouch’s My Arm, An Oak Tree and England, and considers the vital contribution to the field made by set designers. Ultimately, through this study, we come to understand how modern drama can offer a set of interpretative tools to enhance our understanding of the mechanisms underlying the social construction of art and, furthermore, the potential of theatre and the gallery space to question our fundamental cultural assumptions and values.

Full Product Details

Author:   Mariacristina Cavecchi ,  Mark Taylor-Batty (University of Leeds UK) ,  Enoch Brater (University of Michigan USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 23.20cm
Weight:   0.880kg
ISBN:  

9781350330733


ISBN 10:   1350330736
Pages:   290
Publication Date:   18 September 2025
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

This fascinating book is about much more than art galleries. It is about the drama of visual art: how it is made, how it meets its audience, how it becomes the subject of culture wars and battled over authenticity; how it shapes society and us. * The Times Literary Supplement * A pioneering exploration of the dynamic relationship between contemporary British theatre and the visual art world … An insightful and ambitious work that fills a significant gap in theatre and art scholarship. The book is a valuable resource for scholars of theatre, art history, and cultural studies, as well as for artists and practitioners interested in the possibilities of cross-disciplinary collaboration. The Art Gallery on Stage challenges us to rethink the boundaries between performance and visual representation, opening new avenues for creative and intellectual exploration. * Drama Research *


Author Information

Mariacristina Cavecchi teaches on courses on contemporary British theatre, the history of British theatre, and Shakespeare at the University of Milan, Italy.

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