Overview

It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilisation. In the meantime, they are dismissed as decadents living in a state of highly developed barbarism, hoarding data without order, hunting their own young and fighting pointless formal wars. Seconded to a military-religious order he's barely heard of - part of the baroque hierarchy of the Mercatoria, the latest galactic hegemony - Fassin Taak has to travel again amongst the Dwellers. He is in search of a secret hidden for half a billion years. But with each day that passes a war draws closer - a war that threatens to overwhelm everything and everyone he's ever known. As complex, turbulent, flamboyant and spectacular as the gas giant on which it is set, the new science fiction novel from Iain M. Banks is space opera on a truly epic scale.

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9781405501767

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Reviews

There is now no British SF writer to whose work I look forward with greater keenness' - The Times 'Confirms Banks as the standard by which the rest of SF is judged' - The Guardian 'Explosive' - Sunday Times 'Gripping, touching and funny' - T.L.S. 'A wild imagination' - Mail on Sunday 'Captivating' - Time Out 'Spectacular ... the field needs his energy' - The Scotsman 'One of the very best just got even better' - Starburst 'Banks is a phenomenon' - William Gibson 'In The Algebraist, Iain Banks returns to spectacular space opera but not to his familiar Culture universe. His new setting is a complex, war-torn galaxy with an entirely different history going back almost to the Big Bang... For short-lived 'Quick' races like humans, space is dominated by the complicated, grandiose Mercatoria whose rule is both military and religious. To the Dwellers who may live billions of years, the galaxy consists of their gas-giant planets--the rest is debris. Our human hero Fassin Taak is a 'Slow Seer' privileged to work with the Dwellers of the gas-giant Nasqueron in his home system Ulubis. His life work is rummaging for data in their vast, disorganised memories and libraries. Unfortunately, without knowing it, he's come close to an ancient secret of unimaginable importance. Though Ulubis is currently cut off from the galactic wormhole travel network, two interstellar battle fleets are racing for this secret. The hissable arch-villain Luseferous--whose tastes run to torture, atrocity and genocide--seems bound to arrive in overwhelming strength before the Mercatorian rescue squadron. So Fassin is reluctantly conscripted into security forces, and enters the hell of Nasqueron's atmosphere to seek the magic key (code? signal frequency? equation?) that might save everything. Even at their most helpful and charming, though, Dwellers are maddeningly elusive. For ancients, they seem bumbling and whimsical, far more interested in hunting, kudos, and extreme sports like GasClipper Races or Formal War than in saving humanity's skin. Their ramshackle transport and awesome yet run-down floating cities suggest that Dweller legends of hypertechnology are sheer bluff. But are they keeping something dark? Fassin's journeys and discoveries are exhilarating, witty, sometimes mind-boggling. Exotic weaponry abounds. The Dwellers are engagingly eccentric, like AI Minds in the Culture books--but the Mercatoria has banned artificial intelligence as Abomination, and this too is a plot strand. Additionally there are human revenge, intrigue and betrayal subplots; surprises and upsets; and the mother of all shaggy-dog revelations. Once again Banks is having enormous fun with space opera, and his exuberant enjoyment is infectious. Highly readable stuff.' - David Langford, Amazon.co.uk

Author Information

Iain Banks came to widespread and controversial public notice with the publication of his first novel, THE WASP FACTORY, in 1984. He has since gained enormous popular and critical acclaim for both his mainstream and his science fiction novels.

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