|
![]() |
|||
|
||||
Awards
OverviewFull Product DetailsAuthor: Kofi Agawu (Professor of Music, Professor of Music, Princeton University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 2.50cm , Length: 16.00cm Weight: 0.683kg ISBN: 9780190263201ISBN 10: 0190263202 Pages: 388 Publication Date: 17 March 2016 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsTable of Contents Introduction 1. Music and/in society 2. Musical instruments 3. Language and/in music 4. The rhythmic imagination 5. The melodic imagination 6. The formal imagination 7. Harmony, or Simultaneous Doing 8. Appropriating African music References Discography & VideographyReviewsAuthor InformationKofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include Playing with Signs: A Semiotic Interpretation of Classical Music (Princeton University Press, 1991), African Rhythm: A Northern Ewe Perspective, Representing African Music: Postcolonial Notes, Queries, Positions (Routledge, 2003) and Music as Discourse: Semiotic Adventures in Romantic Music (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. Tab Content 6Author Website:Countries AvailableAll regions |