Symphonic Etudes: Portraits of Russian Operas and Ballets

Author:   Boris Asafyev ,  David Haas
Publisher:   Scarecrow Press
ISBN:  

9780810857001


Pages:   348
Publication Date:   23 October 2007
Format:   Hardback
Availability:   In Print   Availability explained
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Symphonic Etudes: Portraits of Russian Operas and Ballets


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Overview

"When Boris Asafyev's first edition of Symphonic Etudes appeared in 1922, it was recognized as the most extensive, insightful, and sophisticated text on Russian opera and ballet yet written. The second edition in 1970 was accepted as a classic of music criticism and has since functioned as a foundation for Russian nineteenth-century scholarship. Now this important book is available in English, its text and footnotes fully translated and annotated by David Haas. Symphonic Etudes: Portraits of Russian Operas and Ballets is divided into 19 essays, most of which were originally written for program booklets distributed during the 1921-22 season of the St. Petersburg State Theatre. The book's chronological coverage extends from the 1830s until World War I, with particular attention given to Glinka's Ruslan and Lyudmila, the operas of Rimsky-Korsakov, Tchaikovsky, and Musorgsky, and the first two of Stravinsky's ballets. Rather than provide his literate Russian audience with superfluous plot summaries and lists of characters, Asafyev instead created ""psychological and stylistic"" portraits. As a result, each work discussed emerges as a distinctive achievement as well as a means for examining one or more aspects of an unfolding national tradition. David Haas provides a translator's preface and introductory essay that will acquaint the reader with the basic terms, concepts, and significance of Asafyev's operatic aesthetics, while extensive translator's endnotes give accurate score references and serve to illuminate the author's numerous literary and other allusions. With the new accessibility of this pioneering work, Anglophone readers—students, teachers, scholars, and music lovers alike—will have access to an insider's appreciation of Russia's multigenerational contributions to music for the stage."

Full Product Details

Author:   Boris Asafyev ,  David Haas
Publisher:   Scarecrow Press
Imprint:   Scarecrow Press
Dimensions:   Width: 16.20cm , Height: 3.00cm , Length: 24.20cm
Weight:   0.635kg
ISBN:  

9780810857001


ISBN 10:   0810857006
Pages:   348
Publication Date:   23 October 2007
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Part 1 Translator's Preface Part 2 Introduction: Igor Glebov and the Audiences of Symphonic Etudes Chapter 3 1. A Slavonic Liturgy to Eros Chapter 4 2. Intermezzo I Chapter 5 3. Nikolai Andreyevich Rimsky-Korsakov (1844-1908) Chapter 6 4. The Maid of Pskov Chapter 7 5. May Night Chapter 8 6. Snow-Maiden (A Tale of Spring) Chapter 9 7. Incantations Chapter 10 8. Christmas Eve (A True-Life Carol) Chapter 11 9. The Problem of a City Made Visible Chapter 12 10. Tale Chapter 13 11. The Legend of the Invisible City Chapter 14 12. Kingdom of Skomorokhi Chapter 15 13. Intermezzo II Chapter 16 14. The Operas of Tchaikovsky Chapter 17 15. The Queen of Spades Chapter 18 16. Modest Petrovich Musorgsky (1839-1881): Toward a Reappraisal of His Works Chapter 19 17. Intermezzo III Chapter 20 18. Igor Stravinsky and His Ballets Chapter 21 19. In Lieu of a Finale Part 22 Index of Russian Operas, Ballets, and Principal Roles Part 23 General Index Part 24 About the Author

Reviews

Exhibits a vibrant criticism...Users will appreciate a deeper perspective of program notes from this volume. Arba, March 2008 Asafev and Haas provide many intruguing, thematically interconnected insights into 'golden age' Russian opera. Opera News Online, February 2009 Symphonic Etudes is a beautiful, yet melancholy elegy. Slavic and East European Journal, Winter 2009 Haas's preface provides helpful explanations of a handful of Russian terms used throughout, and his excellent introductory essay elaborates on the times in which Asafyev wrote and on his audience. Extensive endnotes help the reader with score and literary references, and make this unique scholarly work accessible. Recommended. Choice 2008


Author Information

David Haas is professor of music at the University of Georgia and the author of Leningrad's Modernists: Studies in Composition and Musical Thought, 1917-1932 (Peter Lang, 1998).

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