Overview

In Supernatural Entertainments, Simone Natale vividly depicts spiritualism's rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism's explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.

Full Product Details

Author:   Simone Natale (Lecturer, Loughborough University)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.522kg
ISBN:  

9780271071046

ISBN 10:   0271071044
Pages:   248
Publication Date:   02 February 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Contents List of Illustrations Acknowledgments Introduction Part 1: Configurations of Seances 1 The Medium on the Stage: Theatricality and Performance in the Spirit Seance 2 Parlor Games: Play and Social Life in the Haunted House Part 2: How to Sell a Spirit 3 Breaking the News: Controversy, Sensation, and the Popular Press 4 Mediums and Stars: Religion, Consumerism, and Celebrity Culture Part 3: Spirit and Matter 5 Stranger than Fiction: Print Media, Automatic Writing, and Popular Culture 6 The Marvels of Superimposition: Spirit Photography and Spiritualism's Visual Culture Afterward Notes Bibliography Index

Reviews

An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism s rise as a religious and cultural phenomenon. Highly recommended. </p> D. B. Wilmeth, <em>Choice</em></p>

An important addition to the growing body of rigorous scholarship on international spiritualism. Natale's argument, however, is fairly unexpected, even unique, inasmuch as it convincingly focuses on spiritualism as a form of show business. --Matthew Solomon, Film Quarterly [This book] is a strong contribution to a burgeoning field of haunted technology and uncanny media history, has fantastic illustrations, and is always highly readable. --Roger Luckhurst, Magic, Ritual, and Witchcraft Supernatural Entertainments will undoubtedly inspire new studies of Victorian Spiritualism and occultism to further probe the nature and consequences of otherworldly amusements. --Christine Ferguson, Victorian Studies Natale's study offers a helpful corrective to approaches that ignore the entertainment value of spiritualism. --Pericles Lewis, Los Angeles Review of Books An engaging and enlightening history of Spiritualism's growth from a unique perspective. --Sharon DeBartolo Carmack, PsyPioneer Journal An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism's rise as a religious and cultural phenomenon. Highly recommended. --D. B. Wilmeth, Choice The key achievement of Natale's book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a 'scientific religion, ' indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. --James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period's popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. --Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale's embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. --Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. --Jeffrey Sconce, Northwestern University An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism s rise as a religious and cultural phenomenon. Highly recommended. D. B. Wilmeth, Choice The key achievement of Natale s book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a scientific religion, indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period s popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale s embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. Jeffrey Sconce, Northwestern University The key achievement of Natale s book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a scientific religion, indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period s popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale s embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. Jeffrey Sconce, Northwestern University

We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale s embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal

Natale's study offers a helpful corrective to approaches that ignore the entertainment value of spiritualism. </p>--Pericles Lewis, <em>Los Angeles Review of Books</em></p>

An important addition to the growing body of rigorous scholarship on international spiritualism. Natale's argument, however, is fairly unexpected, even unique, inasmuch as it convincingly focuses on spiritualism as a form of show business. --Matthew Solomon, Film Quarterly [This book] is a strong contribution to a burgeoning field of haunted technology and uncanny media history, has fantastic illustrations, and is always highly readable. --Roger Luckhurst, Magic, Ritual, and Witchcraft Supernatural Entertainments will undoubtedly inspire new studies of Victorian Spiritualism and occultism to further probe the nature and consequences of otherworldly amusements. --Christine Ferguson, Victorian Studies Natale's study offers a helpful corrective to approaches that ignore the entertainment value of spiritualism. --Pericles Lewis, Los Angeles Review of Books An engaging and enlightening history of Spiritualism's growth from a unique perspective. --Sharon DeBartolo Carmack, PsyPioneer Journal An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism's rise as a religious and cultural phenomenon. Highly recommended. --D. B. Wilmeth, Choice The key achievement of Natale's book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a 'scientific religion, ' indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. --James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period's popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. --Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale's embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. --Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. --Jeffrey Sconce, Northwestern University An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism s rise as a religious and cultural phenomenon. Highly recommended. D. B. Wilmeth, Choice The key achievement of Natale s book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a scientific religion, indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period s popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale s embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. Jeffrey Sconce, Northwestern University The key achievement of Natale s book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a scientific religion, indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. James P. Stanley, Public Books This is an ambitious, overdue book, steeped in the period s popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. Susan Zieger, Media History We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale s embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. Jeffrey Sconce, Northwestern University

An important addition to the growing body of rigorous scholarship on international spiritualism. Natale's argument, however, is fairly unexpected, even unique, inasmuch as it convincingly focuses on spiritualism as a form of show business. -Matthew Solomon, Film Quarterly [This book] is a strong contribution to a burgeoning field of haunted technology and uncanny media history, has fantastic illustrations, and is always highly readable. -Roger Luckhurst, Magic, Ritual, and Witchcraft Supernatural Entertainments will undoubtedly inspire new studies of Victorian Spiritualism and occultism to further probe the nature and consequences of otherworldly amusements. -Christine Ferguson, Victorian Studies We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale's embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. -Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance. -Jeffrey Sconce, Northwestern University An engaging and enlightening history of Spiritualism's growth from a unique perspective. -Sharon DeBartolo Carmack, PsyPioneer Journal The key achievement of Natale's book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a 'scientific religion,' indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry. -James P. Stanley, Public Books An erudite, original examination of Victorian spiritualism and the rise of modern media. . . . This entertaining study fills a gap in the slighted investigation of spiritualism's rise as a religious and cultural phenomenon. Highly recommended. -D. B. Wilmeth, Choice Natale's study offers a helpful corrective to approaches that ignore the entertainment value of spiritualism. -Pericles Lewis, Los Angeles Review of Books This is an ambitious, overdue book, steeped in the period's popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars. -Susan Zieger, Media History

We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale's embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show. Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal

Author Information

Simone Natale is Lecturer in Communication and Media Studies at Loughborough University, UK.

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