Overview

Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export-New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950s mambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of the Web in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce, the book is rich with quotes from practitioners and detailed movement description.

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9780199324644

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Reviews

Deftly partnering her physical dancing presence with her theoretical investigations, the author poses significant questions regarding the competing perspectives of national and commercial interests relative to salsa...Highly recommended. --<em>Choice</em>.. .rich and well-executed and highlights the author's deep knowledge of the complexity and diversity associated with the development of salsa dance culture. --<em>Journal of Latin American and Caribbean Anthology</em>

Deftly partnering her physical dancing presence with her theoretical investigations, the author poses significant questions regarding the competing perspectives of national and commercial interests relative to salsa...Highly recommended. --Choice Her analysis is a valuable resource for music, dance, and performance scholars, as well as Caribbean studies, and Latin/o American studies. -- Jeannelle Ramirez, University of Texas at Austin, New West Indian Guide ...rich and well-executed and highlights the author's deep knowledge of the complexity and diversity associated with the development of salsa dance culture. --Journal of Latin American and Caribbean Anthology If you are interested in the globalization of Latin American culture, Latin American identity, or have ever tried to pick up the beat of a salsa song as you shuffle your feet, you should definitely pick up a copy of Spinning Mambo into Salsa. --ReVista

Deftly partnering her physical dancing presence with her theoretical investigations, the author poses significant questions regarding the competing perspectives of national and commercial interests relative to salsa...Highly recommended. --<em>Choice</em>.. .rich and well-executed and highlights the author's deep knowledge of the complexity and diversity associated with the development of salsa dance culture. --<em>Journal of Latin American and Caribbean Anthology</em> If you are interested in the globalization of Latin American culture, Latin American identity, or have ever tried to pick up the beat of a salsa song as you shuffle your feet, you should definitely pick up a copy of <em>Spinning Mambo into Salsa</em>. --<em>ReVista</em>

Deftly partnering her physical dancing presence with her theoretical investigations, the author poses significant questions regarding the competing perspectives of national and commercial interests relative to salsa...Highly recommended. --Choice

Deftly partnering her physical dancing presence with her theoretical investigations, the author poses significant questions regarding the competing perspectives of national and commercial interests relative to salsa...Highly recommended. --Choice ...rich and well-executed and highlights the author's deep knowledge of the complexity and diversity associated with the development of salsa dance culture. --Journal of Latin American and Caribbean Anthology If you are interested in the globalization of Latin American culture, Latin American identity, or have ever tried to pick up the beat of a salsa song as you shuffle your feet, you should definitely pick up a copy of Spinning Mambo into Salsa. --ReVista

Author Information

Juliet McMains, Ph.D. is a dance scholar and artist whose work centers on social dance practices and their theatrical expression on competition and theatrical stages. Her first book, Glamour Addiction: Inside the American Ballroom Dance Industry (Wesleyan, 2006) won the 2008 Congress on Research in Dance Outstanding Publication Award. She is currently an Associate Professor in the Dance Program at the University of Washington in Seattle.

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