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Excerpt from Short Studies of Great Masterpieces, Vol. 3 Just what Elgar means by the somewhat cryptic saying that through and over the whole set another and larger Theme 'goes' but is not played has been the subject of some discussion. It sounds almost like one of those mystifying utterances with which Strauss enjoys launching a new orchestral work. How it can be taken to mean, as some critics have thought, that the real Theme, unheard, is a counterpoint to the Theme given - that is, a melody that can be played simultaneously with it and counter to it is hard to see: for, aside from the unusual harmomc basis chosen, with the major section in the middle and the minor start and finish, the phraseology is so peculiar - phrases of six, four, and seven measures respectively - that no commonplace popular melody in square-cut four-measure phrases would fit with it. It seems probable that Elgar has in mind some subtler relationship than that of counter point. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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