Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry

Author:   Ian Sapiro (University of Leeds, UK)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415723220


Pages:   220
Publication Date:   10 November 2016
Format:   Hardback
Availability:   In Print   Availability explained
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Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry


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Author:   Ian Sapiro (University of Leeds, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780415723220


ISBN 10:   0415723221
Pages:   220
Publication Date:   10 November 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Foreword Preface Acknowledgements Introduction Chapter 1: Interviews and Interviewees Chapter 2: Orchestrating and Arranging Chapter 3: Becoming an Orchestrator Chapter 4: The Impact of Technology Chapter 5: Involvement in a Film-Scoring Project Chapter 6: Working Practices Chapter 7: Local Differences in a Global Industry Chapter 8: The Role of the Orchestrator in the Contemporary Film Industry Appendix A: Outline Interview Schedules Appendix B: Interviewee Details Appendix C: Information on Software Packages Index

Reviews

Drawing on historical and commercial contexts as well as technological and creative processes,ã Scoring the Scoreã is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland


Drawing on historical and commercial contexts as well as technological and creative processes, Scoring the Score is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland


Drawing on historical and commercial contexts as well as technological and creative processes,ã Scoring the Scoreã is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland


Author Information

Ian Sapiro is Lecturer in Music at the University of Leeds.

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