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OverviewFull Product DetailsAuthor: Ian Sapiro (University of Leeds, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780415723220ISBN 10: 0415723221 Pages: 220 Publication Date: 10 November 2016 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword Preface Acknowledgements Introduction Chapter 1: Interviews and Interviewees Chapter 2: Orchestrating and Arranging Chapter 3: Becoming an Orchestrator Chapter 4: The Impact of Technology Chapter 5: Involvement in a Film-Scoring Project Chapter 6: Working Practices Chapter 7: Local Differences in a Global Industry Chapter 8: The Role of the Orchestrator in the Contemporary Film Industry Appendix A: Outline Interview Schedules Appendix B: Interviewee Details Appendix C: Information on Software Packages IndexReviewsDrawing on historical and commercial contexts as well as technological and creative processes,ã Scoring the Scoreã is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland Drawing on historical and commercial contexts as well as technological and creative processes, Scoring the Score is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland Drawing on historical and commercial contexts as well as technological and creative processes,ã Scoring the Scoreã is a pioneering tome and veritable guide to modern film scoring. A comprehensive reference for both scholar and practitioner, grounded by extensive research, interviews with leading practitioners, and a close consideration of industrial practices, this book explores the myriad interactions that transpire between composer, orchestrator, copyist, and music editor. Sapiro delivers a robust and cogent account of the collaborative art of film orchestration. -Ronald Sadoff, New York University, USA The role of the orchestrator in the film industry has long been shrouded in mystery, lacking rigorous scholarly attention. But in this engaging book, Ian Sapiro examines the porous boundaries between transcription, arrangement, and orchestration to reveal the vital role the orchestrator plays. Numerous first-hand accounts shine light on a little-understood profession, providing great insight into the film-scoring process. -Miguel Mera, City University London, UK Meticulously researched and expertly written, Scoring the Score fills an often overlooked gap in film music studies, providing a thorough exploration of the purpose and significance the craft of orchestration has in the film industry. Charting the changes the profession has undergone since the classical era to meet the demands of contemporary scoring practices informed by music technology, Sapiro's book offers much-needed insight into the responsibilities of the job, the working practices, and the often hidden or unacknowledged contributions orchestrators make to the film industry. -Danijela Kulezic-Wilson, University College Cork, Ireland Author InformationIan Sapiro is Lecturer in Music at the University of Leeds. Tab Content 6Author Website:Countries AvailableAll regions |