Full Product Details
Author: Galina Kiryushina ,
Einat Adar ,
Mark Nixon
Publisher: Edinburgh University Press
Imprint: Edinburgh University Press
Dimensions:
Width: 15.60cm
, Height: 1.50cm
, Length: 23.40cm
Weight: 0.408kg
ISBN: 9781474463294
ISBN 10: 1474463290
Pages: 288
Publication Date: 19 May 2023
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
"""Beckett's oeuvre is probably unique in exploring the question concerning technology across so many different genres and media: fiction, drama, poetry, radio, television and film. Collecting together contributions from a diverse range of scholars, this excellent volume illuminates Beckett's use of established and new technologies to probe the shapes and limits of human experience. It also shows how the latest technologies are playing their part in developing new understandings of both the historicity and ongoing contemporaneity of Beckett's work. "" -Laura Salisbury, University of Exeter"
""Beckett's oeuvre is probably unique in exploring the question concerning technology across so many different genres and media: fiction, drama, poetry, radio, television and film. Collecting together contributions from a diverse range of scholars, this excellent volume illuminates Beckett's use of established and new technologies to probe the shapes and limits of human experience. It also shows how the latest technologies are playing their part in developing new understandings of both the historicity and ongoing contemporaneity of Beckett's work. "" -Laura Salisbury, University of Exeter
Author Information
Galina Kiryushina is a doctoral candidate and researcher at the Centre for Irish Studies, Charles University Prague. Her current research focuses on intermediality in the work of Samuel Beckett, in particular on the transitions between the media of film and television and Beckett's late prose. Her essays on Beckett and cinema have appeared as journal articles and book chapters, most recently in Beckett and Modernism (Palgrave Macmillan, 2018) and Samuel Beckett Today/Aujourd'hui (32:1; 2020).Doctoral candidate and researcher at the Centre for Irish StudiesEinat Adar is a lecturer in English Literature at the University of South Bohemia in ?esk Bud?jovice. She was awarded a PhD from Charles University Prague in 2017 for a thesis examining Beckett's lifelong engagement with Berkeley's philosophy and its influence on his literary production in prose, theatre, and film. Her work explores the interface between philosophy and Irish modernism, and has been published in the essay collections Flann O'Brien: Gallows Humour and Tradition and Modernity: New Essays in Irish Studies, which she also co-edited, as well as in the journals Partial Answers and Estudios Irlandeses.Mark Nixon is Associate Professor in Modern Literature at the University of Reading, where he is also Co-Director of the Beckett International Foundation. With Dirk Van Hulle, he is editor-in-chief of the Journal of Beckett Studies, Co-Director of the Beckett Digital Manuscript Project and editor of the book series 'Elements in Beckett Studies' (CUP). He is also a former President of the Samuel Beckett Society. He has authored or edited more than ten books on Beckett's work; recent publications include Samuel Beckett's Library (with Dirk Van Hulle, Cambridge UP, 2013) and the critical edition of Beckett's short story Echo's Bones (Faber, 2014). He is currently preparing a critical edition of Beckett's 'German Diaries' (with Oliver Lubrich; Suhrkamp, 2022).
