Overview
The Central Sahara is considered the greatest ""museum"" of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains.Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period.Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Full Product Details
Author: Jitka Soukopova
Publisher: Cambridge Scholars Publishing
Imprint: Cambridge Scholars Publishing
Edition: Unabridged edition
Dimensions:
Width: 14.80cm
, Height: 2.30cm
, Length: 21.20cm
Weight: 0.431kg
ISBN: 9781443840071
ISBN 10: 1443840076
Pages: 191
Publication Date: 13 July 2012
Audience:
College/higher education
,
Professional and scholarly
,
Postgraduate, Research & Scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
It represents one of the most comprehensive surveys of pre-pastoral rock art in the Northern Sahara region. It contains a thoroughly modern synthesis using the latest palaeoclimate data and spatial analysis, along with results of past archaeological excavations, to constrain the origin, timing and regional groupings of 'Round Head' art, and ultimately to interpret the lives and thoughts of those that made it. Dr Alistair WG Pike, Reader in Archaeological Sciences
It represents one of the most comprehensive surveys of pre-pastoral rock art in the Northern Sahara region. It contains a thoroughly modern synthesis using the latest palaeoclimate data and spatial analysis, along with results of past archaeological excavations, to constrain the origin, timing and regional groupings of 'Round Head' art, and ultimately to interpret the lives and thoughts of those that made it. Dr Alistair WG Pike,Reader in Archaeological Sciences
Author Information
Born in the Czech Republic (1976), Jitka Soukopova graduated in Archaeology at the University of Pisa, Italy in 2006, and obtained her PhD in Archaeology at the University of Bristol, UK in 2012. She undertook six months' fieldwork in North Africa and the Sahara, in Algeria, Libya and Tunisia (2005–8). Her main publication is ""The Earliest Rock Paintings of the Central Sahara: Approaching Interpretation"" in Time and Mind (2011).
