Overview

Management and dissemination of the Intellectual Property (IP) assets maintained by cultural institutions is a key responsibility of caring for collections. Rights and reproductions methodologies are seemingly ever-changing with new technologies, additional distribution avenues, evolving case law, applicable court decisions, and new legislation. This revised edition of Rights & Reproductions: The Handbook for Cultural Institutions marks the first time this valuable publication is available in print as well as digital. Building upon the guidelines, standards, and best practices outlined in the first edition, the Handbook further investigates current trends in rights and reproductions practices, notably expanding the discussion of fair use guidelines and codes, Creative Commons and RightsStatements.org, open access, social media applications, and the overall process of conducting rights clearances and obtaining permissions for the growing list of possible uses of a cultural institution’s IP. Highlights of the second edition include: ·a new chapter devoted to fair use and open access ·overall updates to applicable case law, rights clearance practices, and distribution partners ·over 20 case studies outlining real-world examples from the authors’ experiences and practices at their institutions ·expanded glossary defining terms without heavy legalese ·updated appendices with new references, resources, and court decisions ·over 50 contract and document templates provided by the authors’ institutions The Handbook is the must-have, comprehensive resource for cultural institution professionals handling rights-related work, including registrars, rights and reproductions managers, archivists, librarians, and lawyers.

Full Product Details

Author:   Anne M. Young
Publisher:   Rowman & Littlefield
Imprint:   American Alliance Of Museums
Edition:   Second Edition
Dimensions:   Width: 20.70cm , Height: 2.40cm , Length: 27.70cm
Weight:   1.066kg
ISBN:  

9781538112663

ISBN 10:   1538112663
Pages:   404
Publication Date:   27 January 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Preface Walter G. Lehmann and Anne M. Young Acknowledgements Anne M. Young Chapter One: Intellectual Property Kenneth D. Crews, Walter G. Lehmann, Melissa Levine, and Nancy Sims ·What is Intellectual Property ·Copyright ·Trademark ·Patent ·Trade Secret ·Personal Rights ·Moral Rights ·Copyright Infringement ·Enforcement Mechanisms ·Remedies ·Traditional Knowledge and Cultural Expressions ·Human Remains ·International Intellectual Property Rights Chapter Two: Institutional Intellectual Property Policies John ffrench, Walter G. Lehmann, Melissa Levine, Michelle Gallagher Roberts, Nancy Sims, and Anne M. Young ·Intellectual Property Policies ·Ownership and the Development of IP Policies ·Use Policies ·Open Access Policies ·Photography Policies ·IP Audits Chapter Three: Rights Issues for the Collection Megan P. Bryant, Cherie C. Chen, John ffrench, Sofía Galarza Liu, Michelle Gallagher Roberts, Deborah Wythe, and Anne M. Young ·Determining Copyright Status ·Publication and Registration ·Public Domain ·Orphan Works ·Identifying and Finding Rights Holders ·Nonexclusive Licensing Agreements ·Copyright Assignment ·Commissioning Works ·Underlying Rights ·Architectural Photography ·Privacy Rights and the Collection ·Publicity Rights and the Collection ·Recording and Sharing Rights Information ·Additional Considerations Chapter Four: Institutional Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Naomi Leibowitz, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. Young ·The Permissions Process: Rights Analysis ·The Permissions Process: Requesting Rights ·The Permissions Process: Contractual Limitations ·The Permissions Process: Music ·Fair Use ·Sourcing Materials ·Collective Image Resources ·Stock Agencies ·Attribution ·Institutional Uses ·Publications ·Educational Materials ·Traditional Marketing and Promotion Uses ·Social Media ·Retail and Commercial Products ·Institutional Websites Chapter Five: Leveraging Content with Distribution Partners John ffrench, Melissa Levine, Nancy Sims, Deborah Wythe, and Anne M. Young ·Considering Distribution Partners ·Potential Distribution Partners (Nonrevenue Generating) ·Potential Distribution Partners (Revenue Generating) ·Revenue Generation and Open Access ·Revenue Generation with Open and Public Domain Content Chapter Six: External Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Melissa Levine, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. Young ·Access to Images and Reproductions of Collection Materials for External Uses ·Information About the Request Process ·Developing a Request Form ·Reproduction Fees ·Product Development and Royalties ·Processing External Requests ·Open Access for External Uses ·Licensing and Location Shoots ·Additional Photography Shoot Policies ·Communicating About Copyright to the Public Chapter Seven: New Frontiers in Fair Use and Open Access John ffrench, Walter G. Lehmann, Deborah Wythe, and Anne M. Young ·Putting Fair Use Into Action ·Fair Use Codes, Guidelines, and Statements ·Simplifying and Standardizing ·Creative Commons ·RightsStatements.org ·Copyright Cortex ·What Open Access Makes Possible Appendix A: International Treaties, Federal Legal Materials, and Court Decisions Appendix B: Document and Contract Templates Appendix C: References and Resources Glossary Bibliography Index

Reviews

The second edition of Rights and Reproductions is expertly tailored to address the myriad of often tangled issues encountered by rights specialists working in the GLAM sector and will be an essential addition to the bookshelves of lawyers and non-lawyers alike, including students, artists, and art history scholars -- Andrea Wallace, lecturer in law, University of Exeter

Author Information

Anne M. Young heads the rights and reproductions department at the Indianapolis Museum of Art at Newfields and was formerly the photographic archivist for the Kinsey Institute, Indiana University. She is currently a Master of Jurisprudence candidate at Indiana University’s Robert H. McKinney School of Law focusing on Intellectual Property, art, and museum law. Young previously received an Master of Arts in photographic preservation and collections management from Ryerson University and a Bachelor of Arts in art history and studio art (photography) from Indiana University.

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