Rethinking G.K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture

Author:   Michael Shallcross
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367667344


Pages:   296
Publication Date:   30 September 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Rethinking G.K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture


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Full Product Details

Author:   Michael Shallcross
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.570kg
ISBN:  

9780367667344


ISBN 10:   0367667347
Pages:   296
Publication Date:   30 September 2020
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents Introduction: Sublime Vulgarity, Fanatical Play 1 The Chesterbentley: A Fin-de-Siècle Nonsense Friendship 2 The Ethics of Travesty: Chesterton’s Ludicrous Performance on the Edwardian Literary Stage 3 A Hundred Visions and Revisions: Chesterton Refracted through the Avant-Garde of 1910 4 We Discharge Ourselves on Both Sides: The Parodic Commerce of Chesterton and the Men of 1914 5 Le Mob c’est Moi: 1920s Modernism as Monstrous Carnival 6 Audacious Reconciliation: The Human Circulating Library of Late Modernism

Reviews

A fascinating and important contribution to the literature not just on Chesterton but also on modernism and literary movements of the early 20th century more widely... Shallcross does this with Chesterton so expertly, originally and fascinatingly that his book should be welcomed and read by anyone with any interest in British culture in the early twentieth century. Luke Seaber, University College London Rethinking G. K. Chesterton and Literary Modernism proves a richly informed, rewarding undertaking [...] Shallcross's masterful project offers keen insights into [Chesterton's] peculiarly unsettled/unsettling narrative performances William J. Scheick, University of Texas Intellectual combat between the anti-modernist G. K. Chesterton and the 'Men of 1914' (Ezra Pound, Wyndham Lewis, T. S. Eliot) apparently marks a defining moment of modernism's emergence. But appearances are deceiving. Revealing that his combatants' enmity was more masquerade than substance, Shallcross's book brilliantly demonstrates that differentiations between literary periods or aesthetic 'isms' are not to be taken at face value. This is literary history at its best. Robert L. Caserio, Pennsylvania State University Rethinking G. K. Chesterton and Literary Modernism should be in every college and university library, available to anyone seeking a new way to understand not only Chesterton but also anxieties over his influence. Crystal Downing, Co-Director of the Marion E. Wade Center, Wheaton College.


A fascinating and important contribution to the literature not just on Chesterton but also on modernism and literary movements of the early 20th century more widely... Shallcross does this with Chesterton so expertly, originally and fascinatingly that his book should be welcomed and read by anyone with any interest in British culture in the early twentieth century. Luke Seaber, University College London Rethinking G. K. Chesterton and Literary Modernism proves a richly informed, rewarding undertaking [...] Shallcross's masterful project offers keen insights into [Chesterton's] peculiarly unsettled/unsettling narrative performances William J. Scheick, University of Texas Intellectual combat between the anti-modernist G. K. Chesterton and the 'Men of 1914' (Ezra Pound, Wyndham Lewis, T. S. Eliot) apparently marks a defining moment of modernism's emergence. But appearances are deceiving. Revealing that his combatants' enmity was more masquerade than substance, Shallcross's book brilliantly demonstrates that differentiations between literary periods or aesthetic 'isms' are not to be taken at face value. This is literary history at its best. Robert L. Caserio, Pennsylvania State University Rethinking G. K. Chesterton and Literary Modernism should be in every college and university library, available to anyone seeking a new way to understand not only Chesterton but also anxieties over his influence. Crystal Downing, Co-Director of the Marion E. Wade Center, Wheaton College.


"""A fascinating and important contribution to the literature not just on Chesterton but also on modernism and literary movements of the early 20th century more widely... Shallcross does this with Chesterton so expertly, originally and fascinatingly that his book should be welcomed and read by anyone with any interest in British culture in the early twentieth century.""Luke Seaber, University College London ""Rethinking G. K. Chesterton and Literary Modernism proves a richly informed, rewarding undertaking [...] Shallcross's masterful project offers keen insights into [Chesterton's] peculiarly unsettled/unsettling narrative performances""William J. Scheick, University of Texas ""Intellectual combat between the anti-modernist G. K. Chesterton and the 'Men of 1914' (Ezra Pound, Wyndham Lewis, T. S. Eliot) apparently marks a defining moment of modernism’s emergence. But appearances are deceiving. Revealing that his combatants’ enmity was more masquerade than substance, Shallcross’s book brilliantly demonstrates that differentiations between literary periods or aesthetic 'isms' are not to be taken at face value. This is literary history at its best."" Robert L. Caserio, Pennsylvania State University ""Rethinking G. K. Chesterton and Literary Modernism should be in every college and university library, available to anyone seeking a new way to understand not only Chesterton but also anxieties over his influence."" Crystal Downing, Co-Director of the Marion E. Wade Center, Wheaton College."


Author Information

Michael Shallcross is an independent researcher, based in York, UK.

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