Full Product Details
Author: Ananay Aguilar ,
Ross Cole ,
Matthew Pritchard ,
Eric Clarke
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.453kg
ISBN: 9781138359925
ISBN 10: 1138359920
Pages: 222
Publication Date: 31 July 2020
Audience:
College/higher education
,
General/trade
,
Tertiary & Higher Education
,
General
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
If anyone deserves this kind of Festschrift it's Nick Cook, whose work--provocative and inspiring--is seminal to present day thought about music. - Lawrence Kramer, Distinguished Professor of English and Music, Fordham University This collection of essays serves as a splendid tribute to Nick Cook, revealing the widespread influence his work has had on so many diverse aspects of the study of music. The authors engage spiritedly not only with Cook's ideas on the production, performance, and theory of music in relation to traditional practices and multimedia technologies, but also respond to the social and ethical concerns that characterize his work. - Derek B. Scott, Professor of Critical Musicology, University of Leeds This is a wonderful collection that offers a rich contribution to the field. The chapters take Cook's work as a starting point, and work, play, or move with the models he has developed in highly productive ways. - Freya Jarman, Reader in Music, University of Liverpool
If anyone deserves this kind of Festschrift it's Nick Cook, whose work--provocative and inspiring--is seminal to present day thought about music. - Lawrence Kramer, Distinguished Professor of English and Music, Fordham University This collection of essays serves as a splendid tribute to Nick Cook, revealing the widespread influence his work has had on so many diverse aspects of the study of music. The authors engage spiritedly not only with Cook's ideas on the production, performance, and theory of music in relation to traditional practices and multimedia technologies, but also respond to the social and ethical concerns that characterize his work. - Derek B. Scott, Professor of Critical Musicology, University of Leeds This is a wonderful collection that offers a rich contribution to the field. The chapters take Cook's work as a starting point, and work, play, or move with the models he has developed in highly productive ways. - Freya Jarman, Reader in Music, University of Liverpool
Author Information
Ananay Aguilar is Policy Advisor at Cambridge Enterprise and Affiliated Researcher at the Centre for Intellectual Property and Information Law (CIPIL) at the University of Cambridge. She previously held a Leverhulme Early Career Fellowship, also at the University of Cambridge, focusing on music copyright and policy. Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late nineteenth century up to the present, with a particular focus on popular culture and experimentalism. His first book, The Folk: Music, Modernity, and the Political Imagination, is forthcoming with University of California Press. Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c. 1750–1930 in Germany, and is working on a book examining the aesthetics of this period through the lens of the ‘history of emotions’. He also writes on and translates the songs and musical essays of Rabindranath Tagore. Eric Clarke is Heather Professor of Music at the University of Oxford, and a professorial fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004), Ways of Listening (2005), Music and Mind in Everyday Life (2010), Music and Consciousness (2011), and Distributed Creativity (2017).
