Overview

Shows how the fashion industry in the mid- to late twentieth century created a particular way of seeing religion as fashionable From cross necklaces to fashion designs inspired by nuns’ habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory—something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion—such as ritual practice, miraculous events, and theological concepts—with modern culture, revealing a new dimension to the personal experience of religion.

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9781479813599

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Reviews

[Neal] considers the inspirations of various designers and explores how advertising and marketing framed religious symbols, devotions, and icons into a commodity for trend-setting audiences, all of which culminates in a provocative conclusion that lends itself to further discussion... [E]xtensively researched, fascinating account. --STARRED Library Journal Neal mines issues of Vogue magazine from the mid-1940s to the late 1990s to explore fashion's shifting use of religious symbols in this persuasively argued work... [A] fresh take on an underexplored facet of the American experience. --Publishers Weekly

"""Neal mines issues of Vogue magazine from the mid-1940s to the late 1990s to explore fashion’s shifting use of religious symbols in this persuasively argued work... [A] fresh take on an underexplored facet of the American experience."" * Publishers Weekly * ""[Neal] considers the inspirations of various designers and explores how advertising and marketing framed religious symbols, devotions, and icons into a commodity for trend-setting audiences, all of which culminates in a provocative conclusion that lends itself to further discussion... [E]xtensively researched, fascinating account."" * STARRED Library Journal * ""A comprehensive study of Vogue magazine’s archive detailing the entanglement between American Christianity and fashion culture from the latter half of the twentieth century to the present ... Neal’s goal is to show how studying fashion supplies important insight into twentieth and twenty-first century American religious life. Unquestionably, Religion in Vogue is a phenomenal text. Neal set an ambitious research goal and accomplished it ... A cutting-edge work."" * Journal of the American Academy of Religion *"

Author Information

Lynn S. Neal is Professor of Religious Studies at Wake Forest University. An award-winning teacher, Neal’s work focuses on the mediation of religion, with special attention to popular culture. Previous publications include Romancing God: Evangelical Women and Inspirational Fiction (2006), Religious Intolerance in America (2010, co-edited with John Corrigan), as well as articles on religion and fashion, as well as religion and television.

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