Queer Lyrics: Difficulty and Closure in American Poetry

Author:   J. Vincent
Publisher:   Palgrave USA
ISBN:  

9780312294977


Pages:   215
Publication Date:   02 May 2003
Format:   Hardback
Availability:   In Print   Availability explained
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Queer Lyrics: Difficulty and Closure in American Poetry


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Overview

"Vincent uses formal concerns, difficulty and closure, to discuss innovations specific to queer American poets. He traces a genealogy based on these queer techniques from Whitman, through Crane and Moore, to Ashbery and Spicer. ""Queer Lyrics"" considers the place of form in queer theory, while opening new vistas on the poetry of these seminal figures."

Full Product Details

Author:   J. Vincent
Publisher:   Palgrave USA
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.90cm , Length: 21.60cm
Weight:   0.450kg
ISBN:  

9780312294977


ISBN 10:   0312294972
Pages:   215
Publication Date:   02 May 2003
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Preface Snags and Gags: Cruising the Difficult Rhetorical Suspense, Sexuality and Death in Whitman's ""Calamus"" Poems ""Reports of looting and insane buggery behind altars"": John Ashbery's Queer Poetics ""A Mirror at the End of a Long Corridor"": Moore, Crane, Closure The Magician's Advance: Late Moore Danced Undone: Performances of Resignation and Exhaustion in Crane's Lyrics The End of the Line: Spicer in Love"

Reviews

Poetry lovers should be writing love poems to John Vincent--and not just queer ones. For he has done something very difficult and completely necessary: performed both formalist and thematic analyses of deliberately 'difficult' modern poetry with a view to considering connections between sexual identity and poetic closure. Even readers with an aversion to such poetry will find themselves taken gently by the hand and led through this forbidding terrain by an unusually considerate -- yet formidably erudite--critic. Let us hope this isn't Vincent's final word on the subject. --Kevin Kopelson, The University of Iowa<br><br>'With Queer Lyrics the study of American poetry should be shaken from its recent doldrums, and queer theory should be roused from its general inattention to literary form.' --Lee Edelman, Tufts University<br>


Poetry lovers should be writing love poems to John Vincent--and not just queer ones. For he has done something very difficult and completely necessary: performed both formalist and thematic analyses of deliberately 'difficult' modern poetry with a view to considering connections between sexual identity and poetic closure. Even readers with an aversion to such poetry will find themselves taken gently by the hand and led through this forbidding terrain by an unusually considerate -- yet formidably erudite--critic. Let us hope this isn't Vincent's final word on the subject. --Kevin Kopelson, The University of Iowa 'With Queer Lyrics the study of American poetry should be shaken from its recent doldrums, and queer theory should be roused from its general inattention to literary form.' --Lee Edelman, Tufts University


Author Information

JOHN VINCENT is Assistant Professor at the University of Miami, where he teaches Nineteenth and Twentieth Century American Literature, Contemporary Poetry and Gay and Lesbian Studies.

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