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Author:   David Bradshaw (Professor of English Literature and Fellow and Tutor in English, Worcester College, Oxford) ,  Rachel Potter (Senior Lecturer in the School of Literature, Drama and Creative Writing, University of East Anglia)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.50cm , Height: 2.10cm , Length: 22.10cm
Weight:   0.412kg
ISBN:  

9780199697564

ISBN 10:   0199697566
Pages:   242
Publication Date:   26 September 2013
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Rachel Potter: Introduction 1: Katherine Mullin: 1850-1885: Poison more deadly than prussic acid: Defining Obscenity after the 1857 Obscene Publications Act 2: Katherine Mullin: 1885-1899: Pernicious Literature: Vigilance in the Age of Zola 3: Nicola Wilson: 1900-1915: Circulating Morals 4: Rachel Potter: 1916-1929: Censorship and Sovereignty 5: David Bradshaw: James Douglas: The Sanitary Inspector of Literature 6: Elisabeth Ladenson: 1930-1945: After Jix 7: David Bradshaw: 1946-1959: American Beastliness, the Great Purge and Its Aftermath 8: Rod Mengham: 1960-1970: 'Bollocks to respectability: British fiction after the Trial of Lady Chatterley's Lover 9: Joe Brooker: 1971 - present day: The Art of Offence: British Literary Censorship since 1971

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Author Information

David Bradshaw is Professor of English Literature at Oxford University and a Fellow of Worcester College. He has written numerous articles and essays on all aspects of modernism and has edited some of its key texts. He is Co-Executive Editor (with Professor Martin Stannard) of the 42-volume OUP edition of The Complete Works of Evelyn Waugh. Rachel Potter is a Senior Lecturer in English Literature at the University of East Anglia. She is the author of Modernism and Democracy: Literary Culture 1900-1930 (Oxford, 2006) and Modernist Literature (Edinburgh, 2012), and has co-edited The Salt Companion to Mina Loy (Cambridge, 2010). She has published a number of essays on literary censorship and modernism and has just completed a book called Obscene Modernism: Literary Censorship and Experiment, 1900-1940.

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