Prequels, Coquels and Sequels in Contemporary Anglophone Fiction

Author:   Armelle Parey
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367665586


Pages:   202
Publication Date:   30 September 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Prequels, Coquels and Sequels in Contemporary Anglophone Fiction


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Overview

This book offers to delineate a key phenomenon in contemporary Anglophone fiction: novel expansion, when the plot and characters from a finished novel are retrieved to be developed in new adventures set before, after or during the narrative time of the source-text. If autographic and allographic sequels are almost as old as literature, prequels – that imagine the anteriority of a narrative – and coquels – that develop secondary characters in the same story time as the source-text – are more recent. The overall trend for novel expansion spread in the mid-1980s and 1990s and has since shown no sign of abating. This volume is organised following three types of relationships to the source-texts even if these occasionally combine to produce a more complex structure. This book comprises 11 essays, preceded by an introduction, that examine narrative strategies, aesthetic, ethical and political tendencies underlying these novel expansions. Following the overview provided in the introduction, the reader will find case studies of prequels, coquels and sequels before a final chapter that encompasses them all and more.

Full Product Details

Author:   Armelle Parey
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.390kg
ISBN:  

9780367665586


ISBN 10:   0367665581
Pages:   202
Publication Date:   30 September 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Acknowledgements Introduction: Narrative expansions - The Story So Far... ARMELLE PAREY PART I Prequels 1 Prequel Ontology and Temporality: The Thresholds of John Updike’s Gertrude and Claudius BEN DAVIES 2 ""Wide Sargasso Sea as a Prequel to Jane Eyre: From Visuality to Iconicity"" (1966) ANNE-LAURE FORTIN-TOURNÈS 3 Literary Filiations and Textual Archeology: Caryl Phillips’s The Lost Child FRANÇOISE KRÁL PART II Coquels 4 A Coquel Set ‘far away, where the fighting was’: On Geraldine Brooks’ March and Louisa May Alcott’s Little Women"" CATHERINE PADMORE 5 Servants with a Voice in Jo Baker’s Longbourn, a Coquel to Pride and Prejudice ARMELLE PAREY 6 Sensibly Organized: Filling in Gaps with Harry Potter and the Methods of Rationality KATHERINE MCCAIN PART III Sequels 7 The Neighborly Mr. Ripley: Patricia Highsmith’s Suburban Sequels PAUL THIFAULT 8 Julian Barnes and the Contemporary English Sequel MERRITT MOSELEY 9 Messy Multiplicity: Strategies for Serialisation in New Adult Fiction JODI MCALISTER 10 P. D. James’s Death Comes to Pemberley (2011), a Sequel with Many Twists ISABELLE ROBLIN PART IV Prequels, Coquels, Sequels and Beyond 11 Uncanny Repetitions: The Generative Power of the ""Reader, I Married Him"" Mantra in Tracy Chevalier’s Anthology of Short Stories GEORGES LETISSIER List of Contributors Index"

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Author Information

Armelle Parey is assistant professor at the University of Caen-Normandie, France. She has published a number of articles on narrative endings, memory and rewritings of the past in contemporary English-speaking fiction. She has co-edited collections of essays and guest-edited special issues on the question of narrative closure in fiction and film: Re-Writing Jane Eyre (La Revue LISA 4.4, 2006); Happy Endings and Films (Houdiard, 2010); Literary Happy Endings, Closure for Sunny Imaginations (Shaker Verlag, 2012); L’Inachevé ou l’ère des possibles dans la littérature anglophone, Récits ouverts et incomplets (Presses Universitaires de Caen, 2014); Character Migration in Anglophone Literature (E-rea 13.1, 2015). She is currently co-editing a collection on screen adaptations of literary endings. She has also guest-edited with Isabelle Roblin: A.S. Byatt, Before and after Possession: Recent Critical Approaches (Book Practices and Textual Itineraries 8, Presses Universitaires de Nancy-Editions de Lorraine, 2017).

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