Overview

This edited collection contributes to the study of conspiracy culture by analysing the relationship of literary forms to the formation, reception, and transformation of conspiracy theories. Conspiracy theories are narratives, and their narrative form provides the structure within which their ‘readers’ situate themselves when interpreting the world and its history. At the same time, conspiracist interpretations of the world may then be transmediated into works of literature and import popular discourse into narrative structures. The suppression and disappearance of books themselves may generate conspiracy theories and become co-opted into political dissent. Additionally, literary criticism itself is shown to adopt conspiracist modes of interpretation. By examining conspiracy plots as literary plots, with narrative, rhetorical, and symbolic characteristics, this volume is the first systematic study of how conspiracy culture in American and European history is the consequence of its interactions with literature. This book will be of great interest to researchers of conspiracy theories, literature, and literary criticism.

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9780367500702

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Ben Carver is a writing instructor at the European University Institute in Florence, Italy. He researches and writes about speculative literature. His publications study the hopes and fears of C19 alternate history, invasion and conspiracy fiction, and lost-world narratives. Dana Craciun teaches 20th Century Literature and American Studies at the West University of Timișoara, Romania. Her other research interests include post-9/11 crises of representation, critical theory, and, more recently, conspiracy theories. Todor Hristov teaches Critical Theory and Cultural Studies at the University of Sofia, Bulgaria. He is the author of books on conspiracy theories, literary theory, governmentality, social movements, and cultural studies, as well as articles on biopolitics, governmentality, critical political economy, and new social movements.

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