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This study centres around video art works from the 2 s dealing with the transformation period of the 99 s. It focuses on the so-called "" Transformation Generation"" , in particular on female-identifying artists and collectives born between 975 and 985. Ulrike Gerhardt also explores how they and their respective practices relate to the accelerated change and breakpoints following 989/9 , as well as their after-effects in the present. The emphasis is on the blurring of traces, on decentration and amalgamation, on speculation and alienation, whereby the transformation presents as a highly complex, challenging cultural process. Look inside

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9783689241384

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Ulrike Gerhardt, Kunst- und Kulturwissenschaftlerin, forscht und publiziert zu Transformationsgeschichte, intergenerationalen Erinnerungsprozessen, beunruhigenden Materialitäten und postdigitalen Bildpraktiken nach 989/9 . Nach Stationen bei District*Schule ohne Zentrum, Leuphana Universität Lüneburg, Hochschule für Gestaltung und Kunst Basel FHNW und der Universität Potsdam derzeit an der Carl von Ossietzky Universität Oldenburg als wissenschaftliche Mitarbeiterin im Institut für Kunst und visuelle Kultur. Gemeinsam mit Suza Husse Gründerin und Co-Leiterin der nomadischen und queer-feministischen Videokunstplattform D'EST realisierte 2 23 den Zyklus Postsozialismus als Methode. Anti-Geografien kollektiver Begehren u.a. mit krëlex zentre, Fehras Publishing Practices und Nhà Sàn Collective. Ulrike Gerhardt, Visual Studies scholar, researches and publishes on transformation history, intergenerational memory processes, unsettling materialities, and post-digital image practices after 989/9 . After working at District*School Without Centre, Leuphana University Lueneburg, Basel Academy of Art and Design FHNW, and the University of Potsdam, she is currently a research associate in the Institute for Art and Visual Culture at Carl von Ossietzky University Oldenburg. Together with Suza Husse, she is the founder and co-director of the nomadic, queer-feminist video art platform D'EST in 2 23, she realised the Postsocialism as a Method. Anti-Geographies of Collective Desires incl. collaborations with krëlex zentre, Fehras Publishing Practices and Nhà Sàn Collective.

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