Opera Cinema: A New Cultural Experience

Author:   Joseph Attard (Kings College London, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501370373


Pages:   248
Publication Date:   14 July 2022
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Opera Cinema: A New Cultural Experience


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Author:   Joseph Attard (Kings College London, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781501370373


ISBN 10:   1501370375
Pages:   248
Publication Date:   14 July 2022
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements About the author Preface 1. What is Opera Cinema? 2. The History of Opera Cinema 3. What Makes it Opera Cinema? 4. The Opera Virgins Project 5. A Night at the Opera Cinema? Bibliography Media Texts Cited Index

Reviews

This is the first in-depth study of its kind to look at the contemporary culture phenomenon of Opera Cinema, providing much needed and highly nuanced insights into its production, reception and position within the global screen industries. Combining both historical and contemporary perspectives, Attard provides a holistic and rigorous 'state-of-the-field' analysis. * Sarah Atkinson, Professor of Screen Media, King's College London, UK * The surprising emergence and growth of live transmission of opera to the cinema has been nothing if not paradoxical. With a global reach and often sold-out cinemas, the transmissions seem to offer a blueprint for opera companies eager to broaden their reach and secure a future in a digital media environment. Yet, well into their second decade the transmissions still lack an agreed name, critics often seem unsure what to make of them, and scholars have yet to give them anything like the attention they deserve. Joseph Attard addresses these contradictions, confronting the crucial question of the identity of the transmissions as a medium, interrogating some of the key critical and scholarly responses to date and, crucially, initiating the important work of understanding audience expectation and reaction. Nuanced and critically astute, Opera Cinema: A New Cultural Experience addresses a gap in scholarship in ways that will appeal to readers from a range of disciplinary backgrounds, as well as those simply curious about one of the more intriguing and unexpected developments in opera, and in cinema, in recent years. * Christopher Morris, Professor of Music, National University of Ireland Maynooth and Associate Editor, The Opera Quarterly *


This is the first in-depth study of its kind to look at the contemporary culture phenomenon of Opera Cinema, providing much needed and highly nuanced insights into its production, reception and position within the global screen industries. Combining both historical and contemporary perspectives, Attard provides a holistic and rigorous 'state-of-the-field' analysis. -- Sarah Atkinson, Professor of Screen Media, King's College London, UK


Author Information

Joseph Attard completed his PhD in Film Studies at King’s College London, UK in 2018 and is now an academic author and political journalist. His research focuses on the intersection be-tween media technology, social science and politics, the latter from a Marxist perspective. Most recently, he co-edited and contributed to a special edition of Opera Quarterly themed around the subject of opera cinema.

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