Overview

Full Product Details

Author:   Anne Danielsen
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138246843

ISBN 10:   1138246840
Pages:   272
Publication Date:   03 October 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Chapter 1 Introduction, Anne Danielsen; Part I Microrhythm and Rhythmic Structure; Chapter 2 Here, There and Everywhere, Anne Danielsen; Chapter 3 Microtiming and Rhythmic Structure in Clave-Based Music, Ives Chor; Chapter 4 Simultaneous Rhythmic Events with Different Schematic Affiliations, Kristoffer Carlsen, Maria A.G. Witek; Chapter 5 The Concept of Rhythmic Tolerance, Mats Johansson; Chapter 6 Timbral Relationships and Microrhythmic Tension, Kristoffer Yddal Bjerke; Part II Groove and Embodiment; Chapter 7 Rhythm/Body/Motion, Eric F. Clarke; Chapter 8 Moved by the Groove, Hans T. Zeiner-Henriksen; Chapter 9 Slave to the Supradiegetic Rhythm, Serge Lacasse; Part III Mediation and Music Production; Chapter 10 Opaque Mediation, Ragnhild Brøvig-Hanssen; Chapter 11 Microsampling, Paul Harkins; Chapter 12 Real and Unreal Performances, Simon Zagorski-Thomas; Chapter 13 Composing a Performance, Tellef Kvifte;

Reviews

'The largely contemporary focus of both the musical case studies and the technological developments covered in the volume mean that 'Musical Rhythm in the Age of Digital Reproduction' is of great potential interest to researchers currently working in a number of fields. The intersection between disciplinary areas, which is at the heart of the underlying questions that have driven the research represented, ensures that there is useful material here for musicologists, technologists, performers and cultural studies scholars, amongst others.' Journal of Music, Technology and Education '... a precise, lucid and superbly edited compendium and a rich source of literature on rhythm and groove that lends itself as advanced teaching material... the selection of musical material is brilliant.' Dancecult, the Journal of Electronic Dance Music Culture 'Musical Rhythm in the Age of Digital Reproduction is a welcome addition to an underrepresented facet of musicology. The book will be a valuable resource for musicologists involved in research in the area of popular groove-based music and musicologists researching rhythm and microrhythm. The text could also be a useful source of inspiration for composers and producers, as it could provide them with ideas for rhythmic motifs that could be explored in their own music or give them the impetus to add more rhythmic complexity to their compositions.' Popular Music

’The largely contemporary focus of both the musical case studies and the technological developments covered in the volume mean that ’Musical Rhythm in the Age of Digital Reproduction’ is of great potential interest to researchers currently working in a number of fields. The intersection between disciplinary areas, which is at the heart of the underlying questions that have driven the research represented, ensures that there is useful material here for musicologists, technologists, performers and cultural studies scholars, amongst others.’ Journal of Music, Technology and Education '... a precise, lucid and superbly edited compendium and a rich source of literature on rhythm and groove that lends itself as advanced teaching material... the selection of musical material is brilliant.' Dancecult, the Journal of Electronic Dance Music Culture 'Musical Rhythm in the Age of Digital Reproduction is a welcome addition to an underrepresented facet of musicology. The book will be a valuable resource for musicologists involved in research in the area of popular groove-based music and musicologists researching rhythm and microrhythm. The text could also be a useful source of inspiration for composers and producers, as it could provide them with ideas for rhythmic motifs that could be explored in their own music or give them the impetus to add more rhythmic complexity to their compositions.' Popular Music

Author Information

Professor Anne Danielsen, Department of Musicology, University of Oslo, Norway

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions