Moonstone: The Boy Who Never Was

Author:   Sjon ,  Victoria Cribb ,  Victoria Cribb
Publisher:   Farrar, Straus and Giroux
ISBN:  

9780374212438


Pages:   160
Publication Date:   02 August 2016
Format:   Hardback
Availability:   In stock   Availability explained
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Moonstone: The Boy Who Never Was


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Overview

The mind-bending miniature historical epic is Sj n's specialty, and Moonstone: The Boy Who Never Was is no exception. But it is also Sj n's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment. M ni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For M ni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

Full Product Details

Author:   Sjon ,  Victoria Cribb ,  Victoria Cribb
Publisher:   Farrar, Straus and Giroux
Imprint:   Farrar, Straus and Giroux
Dimensions:   Width: 13.00cm , Height: 2.00cm , Length: 19.30cm
Weight:   0.204kg
ISBN:  

9780374212438


ISBN 10:   0374212430
Pages:   160
Publication Date:   02 August 2016
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

<i>Moonstone </i>is Sjon s slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love. <b>David Mitchell</b></p> Sjon s <i>Moonstone</i> is a marvel of a novel, queer in every sense of the word an impeccable little gem. <b>Rabih Alameddine</b></p> [Sjon s] prose is full of striking and poetic scenes . . . [<i>Moonstone</i>] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south. <b><i>Publishers Weekly</i></b></p> Concise, magical, and elegiac . . . Sjon is a minimalist genius, achieving so much with so little. And this work is brilliantly translated. <b>Brian Kenney, <i>Booklist</i></b></p> [Sjon] delivers a quiet but compelling literary intervention into Iceland s past . . . Written in magically incantatory prose. <b>Nathan Smith, <i>Lambda Literary</i></b></p> This small, strange, disquieting novel lingers in the mind for a long time. <b>Kerryn Goldsworthy, <i>The Sydney Morning Herald</i></b></p> A glittering fable of sex and cinema . . . Though [<i>Moonstone</i>] is a deeply felt novel, Sjon s prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones. <b>Hari Kunzru, <i>The Guardian</i></b></p> The Icelandic novelist Sjon has already written three elegant, troubling historical fables a kind of surrealist world history and in his new novel <i>Moonstone: The Boy Who Never Was</i>, translated by Victoria Cribb, he s up to something at once similar and more uncanny. It tells the story of Mani Steinn, a gay man in Reykjavik in 1918. But it s really an homage to the dreamlike aesthetic of Sjon s artistic ancestry presided over by Louis Feuillade s great silent movie serial, <i>Les Vampires</i>. <b>Adam Thirlwell, <i>The Times Literary Supplement</i></b></p> A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of Mani Steinn s story. And then in a final flourish you see it all vanish in a way that makes it unforgettable. <b>Adam Foulds</b></p> We should count ourselves fortunate to live in the age of Sjon and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza s feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel s <i>Un Chien Andalou</i> or Hans Richter s <i>Ghosts Before Breakfast</i> . . . Such magic is always handled by Sjon with restraint so that it seems as natural as the book s quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film. <b>Patrick Flanery, <i>The Times Literary Supplement</i></b></p> <i>Moonstone </i>is in some ways Sjon s most straightforward book but there is a wonderful netherworld quality to its ashen Reykjavik . . . Sjon s work borders not only Bulgakov s but also that of Jose Saramago. <b>Chris Power, <i>The New Statesman</i></b></p> A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year. <b><i>Frettabladid</i></b> [Iceland]</p> <i>Moonstone</i> is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist. <b>Ulfhildur Dagsdottir, literature.is</b> [Iceland]</p> Novel of the year. <b>Kolbrun Bergthosdottir, <i> Mordunbladid Daily </i></b>[Iceland]</p> [<i>Moonstone</i>] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book. <b>Ingibjorg Dogg Kjartansdottir, <i>DV Daily</i></b></p>


-Moonstone is Sjon's slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love.- --David Mitchell -Sjon's Moonstone is a marvel of a novel, queer in every sense of the word--an impeccable little gem.- --Rabih Alameddine -[Sjon's] prose is full of striking and poetic scenes . . . [Moonstone] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south.- --Publishers Weekly -Concise, magical, and elegiac . . . Sjon is a minimalist genius, achieving so much with so little. And this work is brilliantly translated.- --Brian Kenney, Booklist -Moonstone is a slender but beautifully wrought novel, rich with meaning and interpretations that reward the reader's patience . . . Sjon has achieved a tremendous feat of empathy and understanding.- --Dale Boyer, The Gay & Lesbian Review -[Sjon] delivers a quiet but compelling literary intervention into Iceland's past . . . Written in magically incantatory prose.- --Nathan Smith, Lambda Literary -This small, strange, disquieting novel lingers in the mind for a long time.- --Kerryn Goldsworthy, The Sydney Morning Herald -A glittering fable of sex and cinema . . . Though [Moonstone] is a deeply felt novel, Sjon's prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones.- --Hari Kunzru, The Guardian -The Icelandic novelist Sjon has already written three elegant, troubling historical fables--a kind of surrealist world history--and in his new novel Moonstone: The Boy Who Never Was, translated by Victoria Cribb, he's up to something at once similar and more uncanny. It tells the story of Mani Steinn, a gay man in Reykjavik in 1918. But it's really an homage to the dreamlike aesthetic of Sjon's artistic ancestry--presided over by Louis Feuillade's great silent movie serial, Les Vampires.- --Adam Thirlwell, The Times Literary Supplement -A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of Mani Steinn's story. And then in a final flourish you see it all vanish in a way that makes it unforgettable.- --Adam Foulds -We should count ourselves fortunate to live in the age of Sjon--and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza's feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel's Un Chien Andalou or Hans Richter's Ghosts Before Breakfast . . . Such magic is always handled by Sjon with restraint so that it seems as natural as the book's quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film.- --Patrick Flanery, The Times Literary Supplement -Moonstone is in some ways Sjon's most straightforward book--but there is a wonderful netherworld quality to its ashen Reykjavik . . . Sjon's work borders not only Bulgakov's but also that of Jose Saramago.- --Chris Power, The New Statesman -A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year.- --Frettabladid [Iceland] -Moonstone is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist.- --Ulfhildur Dagsdottir, literature.is [Iceland] -Novel of the year.- --Kolbrun Bergthosdottir, Mordunbladid Daily [Iceland] -[Moonstone] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book.- --Ingibjorg Dogg Kjartansdottir, DV Daily Moonstone is Sjon's slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love. --David Mitchell Sjon's Moonstone is a marvel of a novel, queer in every sense of the word--an impeccable little gem. --Rabih Alameddine [Sjon's] prose is full of striking and poetic scenes . . . [Moonstone] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south. --Publishers Weekly Concise, magical, and elegiac . . . Sjon is a minimalist genius, achieving so much with so little. And this work is brilliantly translated. --Brian Kenney, Booklist Moonstone is a slender but beautifully wrought novel, rich with meaning and interpretations that reward the reader's patience . . . Sjon has achieved a tremendous feat of empathy and understanding. --Dale Boyer, The Gay & Lesbian Review [Sjon] delivers a quiet but compelling literary intervention into Iceland's past . . . Written in magically incantatory prose. --Nathan Smith, Lambda Literary This small, strange, disquieting novel lingers in the mind for a long time. --Kerryn Goldsworthy, The Sydney Morning Herald A glittering fable of sex and cinema . . . Though [Moonstone] is a deeply felt novel, Sjon's prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones. --Hari Kunzru, The Guardian The Icelandic novelist Sjon has already written three elegant, troubling historical fables--a kind of surrealist world history--and in his new novel Moonstone: The Boy Who Never Was, translated by Victoria Cribb, he's up to something at once similar and more uncanny. It tells the story of Mani Steinn, a gay man in Reykjavik in 1918. But it's really an homage to the dreamlike aesthetic of Sjon's artistic ancestry--presided over by Louis Feuillade's great silent movie serial, Les Vampires. --Adam Thirlwell, The Times Literary Supplement A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of Mani Steinn's story. And then in a final flourish you see it all vanish in a way that makes it unforgettable. --Adam Foulds We should count ourselves fortunate to live in the age of Sjon--and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza's feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel's Un Chien Andalou or Hans Richter's Ghosts Before Breakfast . . . Such magic is always handled by Sjon with restraint so that it seems as natural as the book's quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film. --Patrick Flanery, The Times Literary Supplement Moonstone is in some ways Sjon's most straightforward book--but there is a wonderful netherworld quality to its ashen Reykjavik . . . Sjon's work borders not only Bulgakov's but also that of Jose Saramago. --Chris Power, The New Statesman A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year. --Frettabladid [Iceland] Moonstone is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist. --Ulfhildur Dagsdottir, literature.is [Iceland] Novel of the year. --Kolbrun Bergthosdottir, Mordunbladid Daily [Iceland] [Moonstone] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book. --Ingibjorg Dogg Kjartansdottir, DV Daily Moonstone is Sjon s slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love. David Mitchell Sjon s Moonstone is a marvel of a novel, queer in every sense of the word an impeccable little gem. Rabih Alameddine [Sjon s] prose is full of striking and poetic scenes . . . [Moonstone] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south. Publishers Weekly Concise, magical, and elegiac . . . Sjon is a minimalist genius, achieving so much with so little. And this work is brilliantly translated. Brian Kenney, Booklist Moonstone is a slender but beautifully wrought novel, rich with meaning and interpretations that reward the reader's patience . . . Sjon has achieved a tremendous feat of empathy and understanding. Dale Boyer, The Gay & Lesbian Review [Sjon] delivers a quiet but compelling literary intervention into Iceland s past . . . Written in magically incantatory prose. Nathan Smith, Lambda Literary This small, strange, disquieting novel lingers in the mind for a long time. Kerryn Goldsworthy, The Sydney Morning Herald A glittering fable of sex and cinema . . . Though [Moonstone] is a deeply felt novel, Sjon s prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones. Hari Kunzru, The Guardian The Icelandic novelist Sjon has already written three elegant, troubling historical fables a kind of surrealist world history and in his new novel Moonstone: The Boy Who Never Was, translated by Victoria Cribb, he s up to something at once similar and more uncanny. It tells the story of Mani Steinn, a gay man in Reykjavik in 1918. But it s really an homage to the dreamlike aesthetic of Sjon s artistic ancestry presided over by Louis Feuillade s great silent movie serial, Les Vampires. Adam Thirlwell, The Times Literary Supplement A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of Mani Steinn s story. And then in a final flourish you see it all vanish in a way that makes it unforgettable. Adam Foulds We should count ourselves fortunate to live in the age of Sjon and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza s feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel s Un Chien Andalou or Hans Richter s Ghosts Before Breakfast . . . Such magic is always handled by Sjon with restraint so that it seems as natural as the book s quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film. Patrick Flanery, The Times Literary Supplement Moonstone is in some ways Sjon s most straightforward book but there is a wonderful netherworld quality to its ashen Reykjavik . . . Sjon s work borders not only Bulgakov s but also that of Jose Saramago. Chris Power, The New Statesman A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year. Frettabladid [Iceland] Moonstone is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist. Ulfhildur Dagsdottir, literature.is [Iceland] Novel of the year. Kolbrun Bergthosdottir, Mordunbladid Daily [Iceland] [Moonstone] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book. Ingibjorg Dogg Kjartansdottir, DV Daily Moonstone is Sjon s slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love. David Mitchell Sjon s Moonstone is a marvel of a novel, queer in every sense of the word an impeccable little gem. Rabih Alameddine [Sjon s] prose is full of striking and poetic scenes . . . [Moonstone] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south. Publishers Weekly Concise, magical, and elegiac . . . Sjon is a minimalist genius, achieving so much with so little. And this work is brilliantly translated. Brian Kenney, Booklist [Sjon] delivers a quiet but compelling literary intervention into Iceland s past . . . Written in magically incantatory prose. Nathan Smith, Lambda Literary This small, strange, disquieting novel lingers in the mind for a long time. Kerryn Goldsworthy, The Sydney Morning Herald A glittering fable of sex and cinema . . . Though [Moonstone] is a deeply felt novel, Sjon s prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones. Hari Kunzru, The Guardian The Icelandic novelist Sjon has already written three elegant, troubling historical fables a kind of surrealist world history and in his new novel Moonstone: The Boy Who Never Was, translated by Victoria Cribb, he s up to something at once similar and more uncanny. It tells the story of Mani Steinn, a gay man in Reykjavik in 1918. But it s really an homage to the dreamlike aesthetic of Sjon s artistic ancestry presided over by Louis Feuillade s great silent movie serial, Les Vampires. Adam Thirlwell, The Times Literary Supplement A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of Mani Steinn s story. And then in a final flourish you see it all vanish in a way that makes it unforgettable. Adam Foulds We should count ourselves fortunate to live in the age of Sjon and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza s feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel s Un Chien Andalou or Hans Richter s Ghosts Before Breakfast . . . Such magic is always handled by Sjon with restraint so that it seems as natural as the book s quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film. Patrick Flanery, The Times Literary Supplement Moonstone is in some ways Sjon s most straightforward book but there is a wonderful netherworld quality to its ashen Reykjavik . . . Sjon s work borders not only Bulgakov s but also that of Jose Saramago. Chris Power, The New Statesman A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year. Frettabladid [Iceland] Moonstone is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist. Ulfhildur Dagsdottir, literature.is [Iceland] Novel of the year. Kolbrun Bergthosdottir, Mordunbladid Daily [Iceland] [Moonstone] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book. Ingibjorg Dogg Kjartansdottir, DV Daily


Moonstone is Sj�n's slim, simmering masterpiece. Vibrant and visceral, briskly paced but meditative, unsettling yet droll and flecked with beauty, it is a pitch-perfect study of transgression, survival, and love. --David Mitchell Sj�n's Moonstone is a marvel of a novel, queer in every sense of the word--an impeccable little gem. --Rabih Alameddine [Sj�n's] prose is full of striking and poetic scenes . . . [Moonstone] resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south. --Publishers Weekly Concise, magical, and elegiac . . . Sj�n is a minimalist genius, achieving so much with so little. And this work is brilliantly translated. --Brian Kenney, Booklist Moonstone is a slender but beautifully wrought novel, rich with meaning and interpretations that reward the reader's patience . . . Sj�n has achieved a tremendous feat of empathy and understanding. --Dale Boyer, The Gay & Lesbian Review [Sj�n] delivers a quiet but compelling literary intervention into Iceland's past . . . Written in magically incantatory prose. --Nathan Smith, Lambda Literary This small, strange, disquieting novel lingers in the mind for a long time. --Kerryn Goldsworthy, The Sydney Morning Herald A glittering fable of sex and cinema . . . Though [Moonstone] is a deeply felt novel, Sj�n's prose is never histrionic or overwrought, balancing rage and hallucination (there are echoes of Artaud and Ballard) with a gentleness of spirit, an affection for precision and the small scale. The result is sure to delight his fans and convert many new ones. --Hari Kunzru, The Guardian The Icelandic novelist Sj�n has already written three elegant, troubling historical fables--a kind of surrealist world history--and in his new novel Moonstone: The Boy Who Never Was, translated by Victoria Cribb, he's up to something at once similar and more uncanny. It tells the story of M�ni Steinn, a gay man in Reykjav�k in 1918. But it's really an homage to the dreamlike aesthetic of Sj�n's artistic ancestry--presided over by Louis Feuillade's great silent movie serial, Les Vampires. --Adam Thirlwell, The Times Literary Supplement A magical book, the work of a great illusionist. You see the historical moment unfurl, luminous with desire and imagination and the flames of an erupting volcano, dark with repression, disease and death. You see it all through the poetic, poignant images of M�ni Steinn's story. And then in a final flourish you see it all vanish in a way that makes it unforgettable. --Adam Foulds We should count ourselves fortunate to live in the age of Sj�n--and double lucky for the lyrical English translations of his work by Victoria Cribb. For the past three decades the Icelandic author has been steadily building up an oeuvre that is never less than unpredictable, disarming and visionary . . . When Mani dreams, or slips into influenza's feverish hallucinations, his visions of facial features, erotic encounters and the collision of the human and the technical operate in the same register as Luis Bunuel's Un Chien Andalou or Hans Richter's Ghosts Before Breakfast . . . Such magic is always handled by Sj�n with restraint so that it seems as natural as the book's quotidian details, those fine-grained descriptions of life in an town that, overnight, can find itself blanketed with volcanic ash, turning the world as hushed and monochromatic as the frames from a silent film. --Patrick Flanery, The Times Literary Supplement Moonstone is in some ways Sj�n's most straightforward book--but there is a wonderful netherworld quality to its ashen Reykjav�k . . . Sj�n's work borders not only Bulgakov's but also that of Jose Saramago. --Chris Power, The New Statesman A masterful, intricately woven story with unforgettable images, an intense style, and a unique hero. The reading experience of the year. --Frettabladid [Iceland] Moonstone is an eclectic display of light and shadows, beaming from the burning hot projection booth of a master illusionist. --�lfhildur Dagsd�ttir, literature.is [Iceland] Novel of the year. --Kolbrun Bergthosdottir, Mordunbladid Daily [Iceland] [Moonstone] can be read again and again, and still one can find something new. The text is clear, accessible, and very readable. There is never a redundant word and every one of them is carefully chosen. The story is written with great artistry as the author plays with rhythm, perception and the boundaries of realism and surrealism. If there is anything to criticize, it is how the author makes it hard for us to put the book down, not because there is something left unsaid, but simply because it is a joy to read. An amazing book. --Ingibjorg Dogg Kjartansdottir, DV Daily


Author Information

Sj n is the author of, among other works, The Blue Fox, From the Mouth of the Whale, and The Whispering Muse. Born in Reykjav k in 1962, he is an award-winning novelist, poet, and playwright, and his novels have been translated into thirty-five languages. Alongside his work as a writer, Sj n has taken part in a wide range of art exhibitions and music events. His longtime collaboration with the Icelandic singer Bj rk led to an Oscar nomination for his lyrics for the Lars von Trier movie Dancer in the Dark. He lives in Reykjav k.

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