May We Forever Stand: A History of the Black National Anthem

Author:   Imani Perry
Publisher:   The University of North Carolina Press
ISBN:  

9781469638607


Pages:   280
Publication Date:   30 January 2018
Format:   Hardback
Availability:   In stock   Availability explained
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May We Forever Stand: A History of the Black National Anthem


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Overview

"The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson in 1899 and music composed by his brother Rosamond in 1905, """"Lift Every Voice and Sing"""" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in both times of crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses """"Lift Every Voice and Sing"""" as a window on the powerful way African Americans have used a music and culture to organize, mourn, challenge, and celebrate for more than a century."

Full Product Details

Author:   Imani Perry
Publisher:   The University of North Carolina Press
Imprint:   The University of North Carolina Press
Weight:   0.575kg
ISBN:  

9781469638607


ISBN 10:   1469638606
Pages:   280
Publication Date:   30 January 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

Through extensive research and eloquent writing, Perry. . . expertly sifts through the layers of black civic, social and cultural history that are inextricably linked to 'Lift Every Voice and Sing.'--San Francisco Chronicle Perry provides exegesis and exhortation in explaining how a song captured a culture, and in turn became a cultural captive held fast by emotional ties of a diverse people; hers is a work for adolescents and academics, indeed for any readers interested in at least glimpsing a sense of a pulsing, resilient black consciousness. Highly recommended.--Library Journal, starred review


Perry provides exegesis and exhortation in explaining how a song captured a culture, and in turn became a cultural captive held fast by emotional ties of a diverse people; hers is a work for adolescents and academics, indeed for any readers interested in at least glimpsing a sense of a pulsing, resilient black consciousness. Highly recommended.--Library Journal, starred review


Imani Perry has done a great service to the field of African American history in tracking this often-cited song through hundreds of black organizations, plays, and works of literature during the twentieth century. In the process, she has made clear that, at least during the age of segregation, a black nation was made in part through singing 'Lift Every Voice and Sing.'--Journal of Southern History Perry has masterfully researched and written an accessible and captivating cultural history of a transformative and uplifting song adorned with lyrics that have encouraged black people while mirroring their evolution over the past hundred years.--Journal of African American History As a concise look at twentieth-century black activism through the lens of one composition, the book works exceedingly well. . . . Perry's book is a timely reminder of histories forgotten and voices unremembered.--Journal of American History Excellently researched and sourced.--Michigan Historical Review Through extensive research and eloquent writing, Perry. . . expertly sifts through the layers of black civic, social and cultural history that are inextricably linked to 'Lift Every Voice and Sing.'--San Francisco Chronicle Perry provides exegesis and exhortation in explaining how a song captured a culture, and in turn became a cultural captive held fast by emotional ties of a diverse people; hers is a work for adolescents and academics, indeed for any readers interested in at least glimpsing a sense of a pulsing, resilient black consciousness. Highly recommended.--Library Journal, starred review


May We Forever Stand is meticulously researched and innovative in its engagement of aspects of Black culture once seen as too disparate to interrogate in one setting. A signpost for future directions in historical studies of Black life, Perry provides a valuable methodological framework for historicizing the imagination.--Journal of North Carolina Association of Historians Imani Perry has done a great service to the field of African American history in tracking this often-cited song through hundreds of black organizations, plays, and works of literature during the twentieth century. In the process, she has made clear that, at least during the age of segregation, a black nation was made in part through singing 'Lift Every Voice and Sing.'--Journal of Southern History Perry has masterfully researched and written an accessible and captivating cultural history of a transformative and uplifting song adorned with lyrics that have encouraged black people while mirroring their evolution over the past hundred years.--Journal of African American History As a concise look at twentieth-century black activism through the lens of one composition, the book works exceedingly well. . . . Perry's book is a timely reminder of histories forgotten and voices unremembered.--Journal of American History Excellently researched and sourced.--Michigan Historical Review Through extensive research and eloquent writing, Perry. . . expertly sifts through the layers of black civic, social and cultural history that are inextricably linked to 'Lift Every Voice and Sing.'--San Francisco Chronicle Perry provides exegesis and exhortation in explaining how a song captured a culture, and in turn became a cultural captive held fast by emotional ties of a diverse people; hers is a work for adolescents and academics, indeed for any readers interested in at least glimpsing a sense of a pulsing, resilient black consciousness. Highly recommended.--Library Journal, starred review


Perry provides exegesis and exhortation in explaining how a song captured a culture, and in turn became a cultural captive held fast by emotional ties of a diverse people; hers is a work for adolescents and academics, indeed for any readers interested in at least glimpsing a sense of a pulsing, resilient black consciousness. Highly recommended.--Library Journal, starred review Through extensive research and eloquent writing, Perry. . . expertly sifts through the layers of black civic, social and cultural history that are inextricably linked to 'Lift Every Voice and Sing.'--San Francisco Chronicle Excellently researched and sourced.--Michigan Historical Review As a concise look at twentieth-century black activism through the lens of one composition, the book works exceedingly well. . . . Perry's book is a timely reminder of histories forgotten and voices unremembered.--Journal of American History Perry has masterfully researched and written an accessible and captivating cultural history of a transformative and uplifting song adorned with lyrics that have encouraged black people while mirroring their evolution over the past hundred years.--Journal of African American History Imani Perry has done a great service to the field of African American history in tracking this often-cited song through hundreds of black organizations, plays, and works of literature during the twentieth century. In the process, she has made clear that, at least during the age of segregation, a black nation was made in part through singing 'Lift Every Voice and Sing.'--Journal of Southern History


Author Information

Imani Perry is the Hughes-Rogers Professor of African American studies at Princeton University.

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