Overview
In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
Full Product Details
Author: Marguerite Keane
Publisher: Brill
Imprint: Brill
Volume: 5
Dimensions:
Width: 15.50cm
, Height: 2.00cm
, Length: 23.50cm
Weight: 0.549kg
ISBN: 9789004248366
ISBN 10: 9004248366
Pages: 262
Publication Date: 02 June 2016
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
For queenship scholars, Keane's book is essential reading for both its methodology and its conclusions about the meanings of patronage, politics, and cultural power at court. And it opens fruitful avenues for research into the history of emotions. It will speak to a much wider audience of historians, art historians, and their students, both graduate and advanced undergraduate, who will appreciate her close textual analysis of the testament and her insightful reading of the objects. Theresa Earenfight, Seattle University, in: Renaissance Quarterly 70.4 (2017), pp. 1561-2.
""For queenship scholars, Keane’s book is essential reading for both its methodology and its conclusions about the meanings of patronage, politics, and cultural power at court. And it opens fruitful avenues for research into the history of emotions. It will speak to a much wider audience of historians, art historians, and their students, both graduate and advanced undergraduate, who will appreciate her close textual analysis of the testament and her insightful reading of the objects."" Theresa Earenfight, Seattle University, in: Renaissance Quarterly 70.4 (2017), pp. 1561-2.
Author Information
Marguerite Keane, Ph.D. (2002), University of California, Santa Barbara, is an Associate Professor of Art History at Drew University, in Madison, New Jersey. A specialist in medieval art, she has published on fourteenth-century French art with a particular interest in art commissioned by and for women.
