Overview

When Angela Bowling rescues a baby bird after a storm, she finds her very own Loveykins. Following a blustery night, Angela Bowling finds a baby bird blown out of his nest. She names him Augustus, and he quickly becomes more to her than just a bird to be looked after. He's her little Loveykins. But Augustus is growing larger and rounder and soon requires a special garden shed to house him. He seems content enough . . . until another night brings even stronger winds. From the UK's first Children's Laureate, this droll tale about the improbable friendship between a determined, eccentric matron and a young bird is classic Quentin Blake. With his quirky, humorous watercolors and his distinctive storytelling style, Blake gives readers a charming and sensitive treatment of the issues of loving and letting go.

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9781561452828

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Reviews

Blake's images of Angela fretting and fawning over her beloved bird are hilarious, revealing a range of exaggerated expressions on the face of the wild-eyed critter, who seems to know exactly how ludicrous he looks.... Appealingly offbeat, this droll tale is classic Blake. In the hands of a master like Blake, this relationship between an unconventional woman and a young bird, unmediated by softening agents, feels real and good and weird.... Add Blake's idiosyncratic watercolors, which inspire affection and sympathy, and you have the rare eccentric/endearment nexus that emits its own strange wonderful light. While the story is told with Blake's characteristic lighthearted charm and the illustrations are rife with comic detail, the issue of love that stifles rather than saves is handled with sensitivity.

In the hands of a master like Blake, this relationship between an unconventional woman and a young bird, unmediated by softening agents, feels real and good and weird.... Add Blake's idiosyncratic watercolors, which inspire affection and sympathy, and you have the rare eccentric/endearment nexus that emits its own strange wonderful light. While the story is told with Blake's characteristic lighthearted charm and the illustrations are rife with comic detail, the issue of love that stifles rather than saves is handled with sensitivity. Blake's images of Angela fretting and fawning over her beloved bird are hilarious, revealing a range of exaggerated expressions on the face of the wild-eyed critter, who seems to know exactly how ludicrous he looks.... Appealingly offbeat, this droll tale is classic Blake.

While the story is told with Blake's characteristic lighthearted charm and the illustrations are rife with comic detail, the issue of love that stifles rather than saves is handled with sensitivity. In the hands of a master like Blake, this relationship between an unconventional woman and a young bird, unmediated by softening agents, feels real and good and weird.... Add Blake's idiosyncratic watercolors, which inspire affection and sympathy, and you have the rare eccentric/endearment nexus that emits its own strange wonderful light. Blake's images of Angela fretting and fawning over her beloved bird are hilarious, revealing a range of exaggerated expressions on the face of the wild-eyed critter, who seems to know exactly how ludicrous he looks.... Appealingly offbeat, this droll tale is classic Blake.

Author Information

Sir Quentin Blake is a best-selling illustrator and author-illustrator of more than three hundred books, including many by Roald Dahl. He is the recipient of numerous awards, including the Kate Greenaway, a Bologna Ragazzi Award, and the Hans Christian Andersen Award for Illustration. In 1999, Blake was named the first Children's Laureate of the United Kingdom. In 2004, he was awarded the Chevalier des Arts et des Lettres by the French government for services to literature and in 2007 he was made Officier in the same order. In 2014 he was admitted to the Legion d'Honneur, an honor accorded to few people who are not French nationals. He lives in England and France.

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