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Stroud at the top of his game * Financial Times * Stroud's prose is evocative . . . and his horrors, pattering in the footsteps of M. R. James, depend more on the reader's imagination than the writer's gruesome welter. His humour is also perfectly judged, never undermining the terror, but allowing the reader to bask in the camaraderie of London's smallest, most slapdash and unlikely ghost-hunting agency, the eponymous Lockwood and Co. Throughout the series, he has achieved great feats of -characterisation. -- Imogen Russell-Williams * TLS * A devilishly good combination of engaging cast, memorable locations, comforting food and delicious pace all sewn together with seriously good, unaffected writing, The Empty Grave is the full monty; entertainment, excitement and intelligence sprinkled with wit and verve and sparkling throughout with an endorphin-laced exploration of a liminal frontier - in this case the very boundary between the living and the dead. The Empty Grave is a fitting and extraordinary end to a remarkable series; I am very envious of those who are yet to discover Lockwood & Co. for themselves. -- Zoe Toft * Playing By The Book * [T]he thrilling finale to the multi award-winning series, and the excitement and tension are held right to the very end. Sad to see a great series reach its conclusion, but better to go out on a high note, as this does. * Parents in Touch * Stroud brings his intricate, series long storyline to a close with a complex, dramatic climax followed by a simple, satisfying conclusion. A first-rate adventure, full of memorable, original characters * Booklist *

Stroud's prose is evocative . . . and his horrors, pattering in the footsteps of M. R. James, depend more on the reader's imagination than the writer's gruesome welter. His humour is also perfectly judged, never undermining the terror, but allowing the reader to bask in the camaraderie of London's smallest, most slapdash and unlikely ghost-hunting agency, the eponymous Lockwood and Co. Throughout the series, he has achieved great feats of -characterisation. -- Imogen Russell-Williams * TLS * A devilishly good combination of engaging cast, memorable locations, comforting food and delicious pace all sewn together with seriously good, unaffected writing, The Empty Grave is the full monty; entertainment, excitement and intelligence sprinkled with wit and verve and sparkling throughout with an endorphin-laced exploration of a liminal frontier - in this case the very boundary between the living and the dead. The Empty Grave is a fitting and extraordinary end to a remarkable series; I am very envious of those who are yet to discover Lockwood & Co. for themselves. -- Zoe Toft * Playing By The Book *

[T]he thrilling finale to the multi award-winning series, and the excitement and tension are held right to the very end. Sad to see a great series reach its conclusion, but better to go out on a high note, as this does. * Parents in Touch * A devilishly good combination of engaging cast, memorable locations, comforting food and delicious pace all sewn together with seriously good, unaffected writing, The Empty Grave is the full monty; entertainment, excitement and intelligence sprinkled with wit and verve and sparkling throughout with an endorphin-laced exploration of a liminal frontier - in this case the very boundary between the living and the dead. The Empty Grave is a fitting and extraordinary end to a remarkable series; I am very envious of those who are yet to discover Lockwood & Co. for themselves. -- Zoe Toft * Playing By The Book * Stroud's prose is evocative . . . and his horrors, pattering in the footsteps of M. R. James, depend more on the reader's imagination than the writer's gruesome welter. His humour is also perfectly judged, never undermining the terror, but allowing the reader to bask in the camaraderie of London's smallest, most slapdash and unlikely ghost-hunting agency, the eponymous Lockwood and Co. Throughout the series, he has achieved great feats of characterisation. -- Imogen Russell-Williams * TLS * A brilliant culmination to a splendidly scary series * Metro * Stroud at the top of his game * Financial Times *

Author Information

Jonathan Stroud was born in Bedford in 1970. After studying English Literature at York University, he moved to London, where he worked as an editor at a publishing firm. He is the author of the best-selling Bartimaeus sequence, which is published in 35 languages and has sold 6 million copies worldwide; the much-beloved Lockwood & Co. series (soon to be a major Netflix series) as well as The Notorious Scarlett & Browne; Heroes of the Valley; The Last Seige; The Leap and Buried Fire. He lives in Hertfordshire with his family. He has yet to see a ghost, but is keeping his eyes open.

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