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OverviewFull Product DetailsAuthor: Karen SwannPublisher: Fordham University Press Imprint: Fordham University Press ISBN: 9780823284177ISBN 10: 0823284174 Pages: 192 Publication Date: 02 April 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1 1. Tracing Keats 29 2. The Art of Losing: Shelley's Adonais 53 3. Shelley's Pod People 76 4. Late Coleridge 92 5. Coleridge the Talker 115 Coda 133 Acknowledgments 137 Notes 139 Index 169ReviewsThis is one of the most exquisitely-crafted books I have ever had the privilege of reading. Swann sets out to complicate the idea that biographical fascination is simply retrograde, sentimental, canonizing, or ideological; she shows how our fascination with these poets is bound up with the way they seem to live on past natural life, suspended in a kind of posthumous time. With modesty, tact, yet also with the assurance of a deeply felt calling, this book addresses the largest questions that we face as readers of literature: Why read? Why read poetry? What is it to love poetry? What is romantic poetry? How best to think about poetry's, or romanticism's, mode of afterlife or living-on in our dark times? -- Marc Redfield, Brown University Through brilliant, thoughtful, original analysis of the writings by and about three major poets of the romantic era, Swann untangles a central question at stake in author love: what counts as an author's `life,' anyway? Swann is possessed of a prose style that is both clear and, at times, breath-takingly surprising. A beautifully conceived, organized, and written study. -- Adela Pinch, University of Michigan This is one of the most exquisitely-crafted books I have ever had the privilege of reading. Swann sets out to complicate the idea that biographical fascination is simply retrograde, sentimental, canonizing, or ideological; she shows how our fascination with these poets is bound up with the way they seem to live on past natural life, suspended in a kind of posthumous time. With modesty, tact, yet also with the assurance of a deeply felt calling, this book addresses the largest questions that we face as readers of literature: Why read? Why read poetry? What is it to love poetry? What is romantic poetry? How best to think about poetry's, or romanticism's, mode of afterlife or living-on in our dark times? -- Marc Redfield, Brown University Through brilliant, thoughtful, original analysis of the writings by and about three major poets of the romantic era, Swann untangles a central question at stake in author love: what counts as an author's `life,' anyway? Swann is possessed of a prose style that is both clear and, at times, breath-takingly surprising. A beautifully conceived, organized, and written study. -- Adela Pinch, University of Michigan This is one of the most exquisitely crafted books I have ever had the privilege of reading. Swann sets out to complicate the idea that biographical fascination is simply retrograde, sentimental, canonizing, or ideological. With the assurance of a deeply felt calling, this book addresses the largest questions that we face as readers of literature. -- Marc Redfield, Brown University Through brilliant, thoughtful, original analysis of the writings by and about three major poets of the romantic era, Swann untangles a central question at stake in author love: what counts as an author's `life,' anyway? Swann is possessed of a prose style that is both clear and, at times, breath-takingly surprising. A beautifully conceived, organized, and written study. -- Adela Pinch, University of Michigan Author InformationKaren Swann is Morris Professor of Rhetoric Emerita in the Williams College English Department. She currently teaches at Bard Microcollege Holyoke. Tab Content 6Author Website:Countries AvailableAll regions |