Overview

Lewis Grassic Gibbon galvanised the Scottish literary scene in 1932 with Sunset Song, the first novel of the epic trilogy A Scots Quair, which drew vividly upon his upbringing on a croft in Aberdeenshire to capture the zeitgeist of the early twentieth century and provide a compelling moral mandate for social and political change in the inter-war period. Yet his literary legacy of seventeen volumes produced in his short life, under his own name of James Leslie Mitchell as well as his Scots pseudonym, testify to his versatility, as historian, essayist, biographer and fiction writer. Set against an informed conspectus of the author’s life and times and incorporating substantive new source material, this study highlights his core principles, rooted in his rural upbringing: his restless humanitarianism and his veneration for the natural world. Subsequently, he is seen as a combative writer whose fame in recent years – as cultural nationalist, left-wing libertarian, proto-feminist, neo-romantic visionary and trailblazing modernist – has carried far beyond his native land. In tune with the intellectual climate of the inter-war years, Gibbon emerges as a passionate advocate of revolutionary political activism. In addition, as a profound believer in the overarching primacy of nature, he stands as a supreme practitioner in the field of ecofiction. Coupled with his modernist accomplishments with language and narrative, this firmly establishes him among the foremost fiction writers of the twentieth century – uniquely, one whose achievement has consistently won both critical and popular acclaim.

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9781789620627

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'William K. Malcolm's book is a fascinating and comprehensive introduction to the life and work of Lewis Grassic Gibbon. Setting Gibbon's writing within the tumultuous historical contexts of the period, Malcolm portrays a hugely talented and hard-working novelist of radical political commitment whose tragically short life culminated in the achievement of A Scots Quair, one of the great novel sequences in twentieth-century literature in English.' Dr Scott Lyall, Edinburgh Napier University

Anita Brookner deserves this detailed, sophisticated, brilliant reading that appreciates Brookner's peculiar genius and uncovers the ways in which she 'does indeed write a different kind of novel.' Given the intertextual, allusive nature of Brookner's work and her extraordinary expertise on eighteenth- and nineteenth-century European art and literature, Dr Mayer's 'misreading' of Brookner's 'performative romanticism' is entirely appropriate. Ann Holbrook, Professor of English at Saint Anselm College

Author Information

Dr William K. Malcolm is Literary Director of the Grassic Gibbon Centre at Arbuthnott and joint administrator of the Mitchell Literary Estate. He has taught Scottish literature for three decades and is an Honorary Fellow of the Association for Scottish Literary Studies. He has written and broadcast extensively on Mitchell/Gibbon, including editing Sunset Song for Penguin Classics.

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