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OverviewFull Product DetailsAuthor: Anthony White (The University of Melbourne)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.367kg ISBN: 9781032177717ISBN 10: 1032177713 Pages: 216 Publication Date: 30 September 2021 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsThe monograph is undoubtedly a major contribution to histories of European modernism. White adeptly demonstrates that Italian modern art's relation to fascism was multi-faceted and inconsistent, endorsing and eschewing fascist ideology in equal measure... Additionally, White draws attention through his powerful visual analyses to the reality that the pictorial language of a given historical moment is not always in lockstep with its art critical vocabulary. --RACAR: Revue d'Art Canadienne / Canadian Art Review [a] remarkably interesting work and brilliant contribution showing... how political events and ruling regimes did and do influence a fine art. --West Bohemian Historical Review The monograph is undoubtedly a major contribution to histories of European modernism. White adeptly demonstrates that Italian modern art's relation to fascism was multi-faceted and inconsistent, endorsing and eschewing fascist ideology in equal measure... Additionally, White draws attention through his powerful visual analyses to the reality that the pictorial language of a given historical moment is not always in lockstep with its art critical vocabulary. --RACAR: Revue d'Art Canadienne / Canadian Art Review [a] remarkably interesting work and brilliant contribution showing... how political events and ruling regimes did and do influence a fine art. --West Bohemian Historical Review The monograph is undoubtedly a major contribution to histories of European modernism. White adeptly demonstrates that Italian modern art's relation to fascism was multi-faceted and inconsistent, endorsing and eschewing fascist ideology in equal measure... Additionally, White draws attention through his powerful visual analyses to the reality that the pictorial language of a given historical moment is not always in lockstep with its art critical vocabulary. --RACAR: Revue d'Art Canadienne / Canadian Art Review [a] remarkably interesting work and brilliant contribution showing... how political events and ruling regimes did and do influence a fine art. --West Bohemian Historical Review Author InformationAnthony White is Senior Lecturer in the School of Culture and Communication at the University of Melbourne, Australia. Tab Content 6Author Website:Countries AvailableAll regions |