Overview

This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Fei-i Lu's Taiwan Cinema: Politics, Economics, Aesthetics (Hong Kong University Press, forthcoming). Taiwan and its internationally renowned cinema are on the edge in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the Little Tiger economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.

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9789622097155

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Reviews

As the first English-language anthology on Taiwan New Cinema, this is truly a groundbreaking work. The editors have assembled a collection of insightful essays by a group of well-informed and critically astute scholars. The book is essential reading for anyone who wishes to acquire an in-depth understanding of Taiwanese cinema, or more broadly, transnational Chinese-language cinema. - Sheldon H. Lu, Professor of Comparative Literature and Film Studies, University of California at Davis

Author Information

Chris Berry is professor of film studies at King's College London. Feii Lu is associate professor of the Department of Radio/TV at National Chengchi University in Taiwan.

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