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OverviewFull Product DetailsAuthor: Carolyn ForchéPublisher: Bloodaxe Books Ltd Imprint: Bloodaxe Books Ltd ISBN: 9781852249649ISBN 10: 1852249641 Pages: 80 Publication Date: 10 March 2020 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsCarolyn Forche makes a complex voice for all the mute victims of our destructive world as the killing goes on and the patterns of our lives continue our committed self-destruction. Hers is the heroism which still cares. -- Robert Creeley Part of poetry's tragic knowledge is that elegy is endless. Yet in its power to recall and to memorialise, elegy also effaces time and reinvests loss, the lost, with life. It is a form of overcoming, essential to our knowing of, and dwelling in, the present and to our becoming human... Carolyn Forche is one of the contemporary masters of that form, that act. -- Michael Palmer Again Carolyn Forche hovers above the lacerated landscape of history filling the holes between saying and said . Blue Hour does not console but emboldens. The fear we share is never dodged. This singular voice is writ in bone, snow, coal, stone and sorrow. -- C.D. Wright It has been 17 years since Carolyn Forché published a book of poems, and In the Lateness of the World announces she is back. Coming fast on the heels of her memoir of last year this book is bursting with poems of migration, crossing, and looking back. It is as if the poet is standing, one foot in the river, wondering which way the next crossing will go. Drawing on her own travels and periods of reporting, on the world’s seemingly endless upheaval, these poems move beyond disquiet and creates the charged ethical field in which we all live, all the time, especially at that moment we move. -- John Freeman * Lit Hub * Carolyn Forché makes a complex voice for all the mute victims of our destructive world as the killing goes on and the patterns of our lives continue our committed self-destruction. Hers is the heroism which still cares. -- Robert Creeley Part of poetry’s tragic knowledge is that elegy is endless. Yet in its power to recall and to memorialise, elegy also effaces time and reinvests loss, the lost, with life. It is a form of overcoming, essential to our knowing of, and dwelling in, the present and to our becoming human… Carolyn Forché is one of the contemporary masters of that form, that act. -- Michael Palmer Again Carolyn Forché hovers above the lacerated landscape of history filling the holes “between saying and said”. Blue Hour does not console but emboldens. The fear we share is never dodged. This singular voice is writ in bone, snow, coal, stone and sorrow. -- C.D. Wright 'Carolyn Forche makes a complex voice for all the mute victims of our destructive world as the killing goes on and the patterns of our lives continue our committed self-destruction. Hers is the heroism which still cares' - Robert Creeley.; 'Part of poetry's tragic knowledge is that elegy is endless. Yet in its power to recall and to memorialise, elegy also effaces time and reinvests loss, the lost, with life. It is a form of overcoming, essential to our knowing of, and dwelling in, the present and to our becoming human... Carolyn Forche is one of the contemporary masters of that form, that act' - Michael Palmer.; 'Again Carolyn Forche hovers above the lacerated landscape of history filling the holes between saying and said . Blue Hour does not console but emboldens. The fear we share is never dodged. This singular voice is writ in bone, snow, coal, stone and sorrow' - C.D. Wright. Author InformationCarolyn Forche was born in Detroit, Michigan in 1950. She has taught at several universities, and is now Director of the Lannan Center for Poetry and Poetics and holds the Lannan Chair in Poetry at Georgetown University in Washington, D.C. Her many honours include fellowships from the Guggenheim Foundation, the Lannan Foundation, the National Endowment for the Arts and the Academy of American Poets, and the Edita and Ira Morris Hiroshima Foundation Award (given in 1997) for using her poetry as a 'means to attain understanding, reconciliation, and peace within communities and between communities'. Her first collection, Gathering the Tribes (1976), was selected for the Yale Series of Younger Poets by Stanley Kunitz. Her second book, The Country Between Us (1981), drew on her experiences in El Salvador during the civil war, and won the Poetry Society of America's Alice Fay di Castagnola Award, and was the Lamont Poetry Selection of the Academy of American Poets. Her later collections have drawn upon work written over many years: The Angel of History (HarperCollins, USA; Bloodaxe Books, 1994), Blue Hour (HarperCollins, USA; Bloodaxe Books, 2003), and In the Lateness of the World (due in 2016). Her landmark anthology, Against Forgetting: Twentieth-Century Poetry of Witness (Norton, 1993), was followed by Poetry of Witness: The Tradition in English: 1500-2001 (Norton, 2014), edited with Duncan Wu. Her translations include Mahmoud Darwish's Unfortunately, It Was Paradise: Selected Poems (with Munir Akash, 2003), Claribel Alegria's Flowers from the Volcano (1983), and Robert Desnos's Selected Poetry (with William Kulik, 1991). Tab Content 6Author Website:Countries AvailableAll regions |