Overview

Ilya Kabakov (b.1933) is recognized as the most important Russian artist to have emerged in the late twentieth century, with installations that speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. His work has been exhibited at such major international venues as The Museum of Modern Art in New York (1991), the Centre Pompidou in Paris (1995) and the Stedelijk Museum in Amsterdam (1995). Kabakov's installations are, in some instances, akin to theatrical mise-en-scenes, reproducing a cramped communal apartment or a flooded art museum as a site of schadenfreude-like comedies on human struggle and doomed aspirations. Alternating between light-hearted irony and deeply poignant tragedy, Kabakov evokes a shadowy world in which fable-like miracles might occur: a homespun cosmonaut may fly into space or the radio/television aerial may spell out a poem against the sky. Boris Groys, an art critic and philosopher, surveys the artist's long career and analyses its philosophical and formal dimensions in terms of art history as well as the artist's own biogaphy. In the Interview, David A. Ross discusses the artist's practice and its bridging of Eastern and Western contemporary art. Iwona Blazwick, Director of the Whitechapel Art Gallery in London, concentrates on the artist's contribution to the 1997 Skulptur Projekte in Munster, Looking up. Reading the Words, a sculpture that dares to offer 'the very best thing that you have ever done or seen in your life'. An extract from the short story 'The Steppe' by Anton Chekhov comprises the Artist's Choice. The Artist's Writings range from extracts from his Kafka-esque The Life of Flies, to fictional letters of complaint on communal life in the Soviet Union, to texts on the significance to the artist of the legacies of Cezanne and Malevich.

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9780714837970

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Reviews

'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

Author Information

Boris Groys freelance author and critic, is Professor of Aesthetics and Media Theory at ZKM (Centre for Art and Media Technology), Karlsruhe, Germany. His books include The Total Art of Stalinism: Avant-garde, Aesthetic Dictatorship, and Beyond (1992). David A. Ross, formerly Director of the San Francisco Museum of Modern Art and the Whitney Museum of American Art, is a widely published writer on contemporary art. His books include Spring and Summer: Soviet Conceptual Art in the Era of Late Communism (1989) and Bill Viola (1997). Iwona Blazwick, Director of the Whitechapel Art Gallery, London, has also held the posts of Curator of the Tate Modern, London, and Director of Exhibitions at London's Institute of Contemporary Arts. As an independent curator, her many international exhibitions of contemporary and twentieth-century art have included Kabakov's first major solo exhibition in Britain. From 1993-97 she was Commissioning Editor for Contemporary Art at Phaidon Press.

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