Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata
Author:   Nicholas Marston ,  Professor Simon Keefe
Publisher:   Taylor & Francis Ltd
Edition:   New edition
Volume:   23
ISBN:  

9780754652274


Pages:   186
Publication Date:   28 October 2013
Format:   Hardback
Availability:   In Print   Availability explained
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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata


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Full Product Details

Author:   Nicholas Marston ,  Professor Simon Keefe
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Volume:   23
Weight:   0.720kg
ISBN:  

9780754652274


ISBN 10:   0754652270
Pages:   186
Publication Date:   28 October 2013
Audience:   Professional and scholarly ,  General/trade ,  Professional & Vocational ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Preface; Introduction; The Erläuterungsausgabe project and Op. 106: 1912-1926; First movement: allegro; Second movement: scherzo: assai vivace; Third movement: adagio sostenuto; Fourth movement: largo - allegro risoluto: fuga a tre voci con alcune licenze; After 1926; Epilogue; Appendices; Bibliography; Indexes.

Reviews

'... a detailed history and study of Schenker's voice-leading analysis of each movement.' Beethoven Journal


'... a detailed history and study of Schenker's voice-leading analysis of each movement.' Beethoven Journal 'Marston's comprehensive account in this book of all the documentary evidence about Schenker's interaction with Opus 106 ... lifts the veil on that silence in a most illuminating way ... The result is one of the most thought-provoking Schenker publications and works of Beethoven analysis for some time. Marston demonstrates that Schenker's thinking about the piece was both profound and incomplete'. Musicology Australia


'... a detailed history and study of Schenker's voice-leading analysis of each movement.' Beethoven Journal Marston's comprehensive account in this book of all the documentary evidence about Schenker's interaction with Opus 106 ... lifts the veil on that silence in a most illuminating way ... The result is one of the most thought-provoking Schenker publications and works of Beethoven analysis for some time. Marston demonstrates that Schenker's thinking about the piece was both profound and incomplete. Musicology Australia


Author Information

Nicholas Marston is University Reader in Music Theory and Analysis in the Faculty of Music, University of Cambridge; he is also a Fellow of King's College. His work on Beethoven's sketches, the music of Schumann and Schenkerian theory has appeared in major international journals and in books published by Cambridge University Press and Oxford University Press.

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