|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Gerald Groemer (Professor, Professor, University of Yamanashi)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.90cm , Height: 2.30cm , Length: 16.30cm Weight: 0.618kg ISBN: 9780190259037ISBN 10: 0190259035 Pages: 336 Publication Date: 23 June 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Contents Maps, Conventions Preface Introduction: Approaching the Goze Chapter 1 The Production of Visual Disability Chapter 2 The Development of Echigo Goze Associations Chapter 3 Learning the Goze Art and Way of Life Chapter 4 Touring and Performing in Echigo: Goze and their Audiences Chapter 5 Endings: Coerced Liberation Chapter 6 After the End: Goze Songs in the Postwar Era Appendix: Document 1 ""Origins of the Goze,"" ""Commands of the Retired Emperor,"" and the ""Goze Code"" Document 2 The 1884 ""Regulations of the Takada Goze Association"" Document 3 The 1901 ""Revised Regulations of the Takada Goze"" Document 4 The 1898 ""Regulations of the Nagaoka Goze Association"" References"ReviewsFor readers, Goze assumes a general understanding of music theory as well as some familiarity with Japanese music and history. It will, therefore, likely be of most interest to students and scholars of Japanese ethnomusicology. In its pages, they will find many insights into the world of goze and much raw material to explore further. --Journal of Japanese Studies Author InformationGerald Groemer began his studies of music as a pianist. After earning a Masters of Music and Doctorate of Musical Arts in piano performance at Peabody Conservatory, he entered the ethnomusicology program at Tokyo University of Fine Arts and Music where he earned a PhD in musicology in 1993, the first non-Japanese ever to do so. Since 1998 he has been professor of musicology, ethnomusicology, and Japanese music history at University of Yamanashi in K?fu Japan. He has authored several books on music and cultural history in both Japanese and English, including The Spirit of Tsugaru (2012), a translation Nishiyama Matsunosuke's writings on Edo Culture (1997), and Street Performers and Society in Urban Japan, 1600-1900: The Beggar's Gift (2015). He was awarded the prestigious Koizumi Fumio Prize for Ethnomusicology in 2008. Tab Content 6Author Website:Countries AvailableAll regions |