Gothic Reflections: Narrative Force in Nineteenth-Century Fiction

Author:   Peter Garrett
Publisher:   Cornell University Press
ISBN:  

9780801441561


Pages:   256
Publication Date:   30 September 2003
Format:   Hardback
Availability:   Out of stock   Availability explained
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Gothic Reflections: Narrative Force in Nineteenth-Century Fiction


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Full Product Details

Author:   Peter Garrett
Publisher:   Cornell University Press
Imprint:   Cornell University Press
Dimensions:   Width: 15.20cm , Height: 2.40cm , Length: 22.90cm
Weight:   0.907kg
ISBN:  

9780801441561


ISBN 10:   0801441560
Pages:   256
Publication Date:   30 September 2003
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Reviews

Peter Garrett realizes that Gothic fiction has much to reveal about the plight of the isolated individual, but what seems most remarkable about Gothic Reflections is its highly original revelation of a range of ways in which Gothic opens out into the realm of the social and dialogic. --Harry Shaw, Cornell University Gothic Reflections demonstrates the interplay of Gothic and realistic elements from Horace Walpole's The Castle of Otranto (1764) to James's The Ambassadors. Everyone who studies nineteenth-century fiction as well as recent theories of narrative will find it helpful, at times provocative (forceful but not forced), and always engaging. --Patrick Brantlinger, Indiana University Victorian Studies Itself the fruit of long reflection, Gothic Reflections compresses a potent threefold agenda: it opens a new case for the importance of Edgar Allan Poe; it explores the three great monster stories contributed to modern mass culture by nineteenth-century literature; and it precisely defines a relation between Gothic and the canonical works of Dickens, Eliot, and James. --Jonathan Arac, Columbia University In a series of interlocked readings ranging from Horace Walpole through the romantics and Victorians to Henry James, Peter Garrett probes the tensions between narrative conviction and readerly seduction, private confession and social communication, gothic destabilization and realistic consolidation. Venturing in new and revealing ways well beyond Bakhtin, Garrett draws on formalism and narratology to critique the limits of both deconstructive and ideological allegories. All students of the meanings and shapes of nineteenth-century fiction will benefit from confronting this thoughtful and challenging book. --Marshall Brown, University of Washington Approaching literary gothicism with an emphasis on its reflexivity, Garrett offers interesting interpretations of old warhorse fictions by writers from Horace Walpole through Henry James.... Overall, Garrett highlights the psychological plausibilities inherent in gothicism, which bear out Poe's dictum that terror emanates from the soul rather than from sleazy gimmicks to enthrall imperceptive readers. Summing Up: All collections supporting serious study of literary Gothicism, upper-division undergraduates and above. --Choice


Author Information

Peter K. Garrett is Professor of English at the University of Illinois. He is the author of The Victorian Multiplot Novel and Scene and Symbol from George Eliot to James Joyce and editor of Twentieth-Century Interpretations of Dubliners.

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