|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Basia Sliwinska (Middlesex University, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.620kg ISBN: 9780367693374ISBN 10: 0367693372 Pages: 266 Publication Date: 01 August 2022 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1 Not White, Not Male and Not New York: Race, Feminism and Artists in Pittsburgh 2 Activist Intension: Mona Hatoum and Morehshin Allahyari’s Disruptive Bodies 3 Activating Agential Collective: Anna Baumgart’s Table Talks—Her-Stories, Solidarity and Feminist Corporeal-Materialism 4 The Absent Image: Resisting the Erosion of Public Trust in Syrian Activists’ Evidential Visuality 5 Bodies, Sovereignties, Futurities: On Adelita Husni-Bey’s Practice 6 Domestic Fronts: Arrangements for Feminist Living, or Survival Is Not a Metaphor 7 A Care-Full Re-Membering of Australian Settler Colonial Homemaking Traditions 8 Folding Chair for the Feminist Resistance: Activating Feral Materiality 9 When Theodorah Met Dolly: Gender and Visual Activism in Works by Senzeni Marasela 10 Be-Longing: Filipina Women Artists in Israel Negotiating Self, Body and Place 11 Women to the Front: Women’s Participation and Visual Activism in Hong Kong’s Protest Movement 2019 12 !Madres!: Reconfiguring ‘Abducted Motherhood’ in Mónica Mayer’s Personal and Collective Artwork 13 Corpo-Affective Politics of Anxious Breathing: On the Agential Force of Bodies and Affects in Vulnerable Protest 14 The Revolutionist: Gendered Violence, Black Radical Feminism and the Decolonial Creative Revolution 15 Fragmented Traces. . . The Tactile Feminist Un-Monuments of Sheila Levrant de BrettevilleReviewsThis volume is a powerful articulation of what feminist visual activism can and does achieve as a global force. It has spaces, gaps, and occlusions. This is not a problem or a weakness; rather this is the truthfulness and care that Sliwinska and her co-producers assert for this field of research and understanding. --Woman's Art Journal ""This volume is a powerful articulation of what feminist visual activism can and does achieve as a global force. It has spaces, gaps, and occlusions. This is not a problem or a weakness; rather this is the truthfulness and care that Sliwinska and her co-producers assert for this field of research and understanding."" --Woman's Art Journal """This volume is a powerful articulation of what feminist visual activism can and does achieve as a global force. It has spaces, gaps, and occlusions. This is not a problem or a weakness; rather this is the truthfulness and care that Sliwinska and her co-producers assert for this field of research and understanding."" --Woman's Art Journal" Author InformationBasia Sliwinska is Senior Lecturer in Cultural and Historical Studies at the University of the Arts London. She is a member of the Comittee on Women in the Arts of the College of Art Association and the Steering Group for the PARADOX Fine Art European Forum. Tab Content 6Author Website:Countries AvailableAll regions |