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Author:   Laura Hamer
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367590697

ISBN 10:   0367590697
Pages:   218
Publication Date:   14 August 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of Music Examples. Preface and Acknowledgements. List of Abbreviations. Part 1:The Contested Boundaries of Interwar musiciennes. Chapter 1: Conservative Politics and Domestic Ideals: The Social Position of musiciennes in Interwar France. Chapter 2:The Challenge of Professional musiciennes: The Education, Career Opportunities, and Reception of Women Musicians. Part 2: Women as Composers. Chapter 3: Early Female Winners of the Prix de Rome: Marguerite Canal and Jeanne Leleu. Chapter 4: In Les Six: The Case of Germaine Tailleferre. Chapter 5: Paul Dukas’s Female Composition Students: Elsa Barraine, Yvonne Desportes, and Claude Arrieu. Part 3: Women as Performers. Chapter 6:Women Conductors and All-Woman Orchestras. Chapter 7: On the Concert Platform: Women as Perfomers. Chapter 8: Conclusion. Bibliography. Index.

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Author Information

Laura Hamer is Associate Professor of Music at Liverpool Hope University. She is interested in women in music, nineteenth- and earlier twentieth-century music, and criticism and reception studies. She is the editor of The Cambridge Companion to Women in Music since 1900 (forthcoming).

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