Overview

The last of the Spanish Romantics, composer, conductor, and impresario Federico Moreno Torroba (1891-1982) left his mark on virtually every aspect of Spanish musical culture during a career that spanned six decades and saw tremendous political and cultural upheavals. After Falla, he was the most important and influential musician: in addition to his creative activities, he was President of the General Society of Authors and Editors and director of the Academy of Fine Arts. His enduring contributions as a composer include dozens of guitar works composed for Andrés Segovia and several highly successful zarzuelas, which remain in the repertoire today.Written by two leading experts in the field, Federico Moreno Torroba: A Musical Life in Three Acts explores not only his life and work, but also the relationship of his music to the cultural milieu in which he moved. It sheds particular light on the relationship of Torroba's music and the cultural politics of Francisco Franco's dictatorship (1939-75). Torroba came of age during a cultural renaissance that sought to reassert Spain's position as a unique cultural entity, and authors Walter A. Clark and William Krause demonstrate how his work can be understood as a personal, musical response to these aspirations. Clark and Krause argue that Torroba's decision to remain in Spain even during the years of Franco's dictatorship was based primarily not on political ideology but rather on an unwillingness to leave his native soil. Rather than abandon Spain to participate in the dynamic musical life abroad, he continued to compose music that reflected his conservative view of his national and personal heritage. The authors contend that this pursuit did not necessitate allegiance to a particular regime, but rather to the non-political exaltation of Spain's so-called ""eternal tradition,"" or the culture and spirit that had endured throughout Spain's turbulent history.Following Franco's death in 1975, there was ambivalence towards figures like Torroba who had made their peace with the dictatorship and paid a heavy price in terms of their reputation among expatriates. Moreover, his very conservative musical style made him a target for the post-war avant-garde, which disdained his highly tonal and melodic españolismo. With the demise of high modernism, however, the time has come for this new, more distanced assessment of Torroba's contributions. Richly illustrated with photographs and musical examples, and with a helpful chronology and works list for reference, this biography brings a fresh perspective on this influential composer to Latin American and Iberian music scholars, performers, and lovers of Spanish music alike.

Full Product Details

Author:   Walter Aaron Clark (Professor, Professor, University of California Riverside, Riverside, CA) ,  William Craig Krause (Assistant Professor of Music, Assistant Professor of Music, Hollins University, Roanoke, VA)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.70cm , Height: 3.30cm , Length: 23.60cm
Weight:   0.794kg
ISBN:  

9780195313703

ISBN 10:   0195313704
Pages:   384
Publication Date:   30 May 2013
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

"Acknowledgements Lists of Illustrations and Musical Examples INTRODUCTION: ""The Eternal Tradition"" ACT I: 1891-1932 Scene i: 1898, The End Scene ii: Madrileño Scene iii: Analysis of works: La Virgen de mayo, La marchenera, Luisa Fernanda; Suite castellana, Sonatina, Piezas características (selections) ACT II: 1932-1960 Scene i: 1936, Anarchy Scene ii: Navarro Scene iii: Analysis of works: Azabache, Xuanón, La chulapona, Monte Carmelo, La Caramba; Madroños, Romance de los pinos ACT III: 1960-1982 Scene i: 1975, The Beginning Scene ii: Español Scene iii: Analysis of works: El poeta; Castillos de España (selections), Puertas de Madrid (selections), Diálogos entre guitarra y orquesta, Concierto ibérico FINALE: The Legacy of Torroba APPENDICES 1-2 1: Chronology 2: Works List BIBLIOGRAPHY INDEX"

Reviews

This book is an important milestone ... this is a book which is enjoyable and valuable, both as a portrait of the gentle, mildly conservative and yet financially astute composer at its heart, and as a narrative of the tumultuous history and musical culture of his time and place. Christopher Webber, zarzuela.net Clark and Krause present a concise and well-delivered examination of his life ... the book illuminates an area of musicology that is crying out for attention, and offers the most welcome indication of an idea whose time has come. Michael Boyd, Music and Letters

This book is an important milestone ... this is a book which is enjoyable and valuable, both as a portrait of the gentle, mildly conservative and yet financially astute composer at its heart, and as a narrative of the tumultuous history and musical culture of his time and place. Christopher Webber, zarzuela.net

Author Information

Walter Aaron Clark is internationally renowned for his research on Spanish and Latin American music. He is the author of Oxford biographies on Isaac Albéniz and Enrique Granados, as well as the series editor of OUP's Currents in Latin American and Iberian Music. He has edited or co-edited books on Latin pop (Routledge), Ibero-American Renaissance music (Pendragon), and the first comprehensive textbook on Latin American music (Norton). He is the founder/director of the Center for Iberian and Latin American Music at the University of California, Riverside. William Craig Krause began his research on Moreno Torroba in 1988, resulting in a presentation at the International Musicological Society conference in Madrid in 1992 and the completion of his dissertation in in 1993. Since that time he has authored or co-authored articles on this and related subjects in The Revised New Grove Dictionary of Music and Musicians, Diccionario de la Música Española e Hispanoamericana, Die Musik in Geschichte und Gegenwart and Encuentros. While primarily a professor of musicology at Hollins University, he also has an extensive background in the field of arts administration and recently has developed a secondary area of interest in the music of Appalachia.

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