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I can't imagine there's a better book about Haiti--a smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with <i>Farewell, Fred Voodoo</i> she turns all that careful watching and thinking into a riveting work of nonfiction literature. --Kurt Andersen, author of Heyday and True Believers

Amy Wilentz knows Haiti deeply: its language, its tragic history, the foibles of her fellow Americans who often miss the story there. This makes her a wise, wry, indispensable guide to a country whose fate has long been so interwoven with our own. --Adam Hochschild, author of King Leopold s Ghost

I can't imagine there's a better book about Haiti a smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with Farewell, Fred Voodoo she turns all that careful watching and thinking into a riveting work of nonfiction literature. --Kurt Andersen, author of Heyday and True Believers

Excellent and illuminating....a love letter to--and a lament for--Haiti, a country with an already strange and tortured history that became even more tragic, interesting and convoluted in the months after the earthquake.... [Wilentz] brings to Haiti empathy and her great skills as a narrator....it's Wilentz's honesty about her own role in Haiti and that of so many other American visitors to that country that ultimately distinguishes her book most from other works that cover similar terrain. A veteran journalist captures the functioning chaos of Haiti. ... An extraordinarily frank cultural study/memoir that eschews platitudes of both tragedy and hope. Farewell, Fred Voodoo showcases all [Wilentz's] formidable gifts as a reporter: her love of, and intimate familiarity with, Haiti; her sense of historical perspective; and her eye for the revealing detail. Like Joan Didion and V. S. Naipaul, she has an ability not only to provide a visceral, physical feel for a place, but also to communicate an existential sense of what it's like to be there as a journalist with a very specific and sometimes highly subjective relationship with her subject. --Michiko Kakutani The New York Times Excellent....Wilentz matches [Joan Didion] for note-perfect prose and unflinching inquiry.... Wilentz is an artful guide.... [An] intimate, honest, bracingly unsentimental book. --Ben Fountain, author of Billy Lynn's Long Halftime Walk The New York Times Book Review Farewell, Fred Voodoo is written with authority and great affection for Haiti and Haitians and for those who are trying to help them. An informative and wonderful piece of writing, it is a work of considerable artistry, immensely evocative. I read it with pleasure and with mounting gratitude. --Tracy Kidder, author of Mountains Beyond Mountains Amy Wilentz is a brilliant writer, an ace journalist and, perhaps most important, she is not an outsider. She's the perfect guide through the heartbreak and beauty of post-earthquake Haiti. I was gripped by her respectful and first-hand reporting on Voodoo, and impressed by her enormous sensitivity to the crushing deprivation most Haitians endure. --Barbara Ehrenreich, author of Nickel and Dimed With great storytelling and a wry sense of human comedy, Amy Wilentz explains Haiti--its characters, its romance, and its unique place in world history--and brings it all to life with passion. --Mark Kurlansky, author of Cod and Salt Farewell, Fred Voodoo showcases all [Wilentzs] formidable gifts as a reporter: her love of, and intimate familiarity with, Haiti; her sense of historical perspective; and her eye for the revealing detail. Like Joan Didion and V. S. Naipaul, she has an ability not only to provide a visceral, physical feel for a place, but also to communicate an existential sense of what its like to be there as a journalist with a very specific and sometimes highly subjective relationship with her subject.--Michiko Kakutani The New York Times I can't imagine there's a better book about Haitia smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with Farewell, Fred Voodoo she turns all that careful watching and thinking into a riveting work of nonfiction literature.--Kurt Andersen, author of Heyday and True Believers Amy Wilentz isabrilliant writer, an acejournalist and, perhaps most important, she is not an outsider. She'sthe perfect guide through the heartbreak and beauty of post-earthquake Haiti. I was gripped byherrespectful and first-hand reporting onVoodoo, and impressed by her enormous sensitivity to the crushing deprivation most Haitians endure. --Barbara Ehrenreich, author of Nickel and Dimed Farewell, Fred Voodoo is engrossing and gorgeous and funny, a meticulously reported story of love for a maddening place. Wilentz's writing is so lyrical it's like hearing a song - in this case, the magical, confounding, sad song of Haiti. --Susan Orlean, author of The Orchid Thief and Rin Tin Tin Farewell, Fred Voodoo showcases all [Wilentz s] formidable gifts as a reporter: her love of, and intimate familiarity with, Haiti; her sense of historical perspective; and her eye for the revealing detail. Like Joan Didion and V. S. Naipaul, she has an ability not only to provide a visceral, physical feel for a place, but also to communicate an existential sense of what it s like to be there as a journalist with a very specific and sometimes highly subjective relationship with her subject. --Michiko Kakutani The New York Times Farewell, Fred Voodoo is engrossing and gorgeous and funny, a meticulously reported story of love for a maddening place. Wilentz s writing is so lyrical it s like hearing a song in this case, the magical, confounding, sad song of Haiti. --Susan Orlean, author of The Orchid Thief and Rin Tin Tin Farewell, Fred Voodoo is written with authority and great affection for Haiti and Haitians and for those who are trying to help them. An informative and wonderful piece of writing, it is a work of considerable artistry, immensely evocative. I read it with pleasure and with mounting gratitude. --Tracy Kidder, author of Mountains Beyond Mountains Amy Wilentz is a brilliant writer, an ace journalist and, perhaps most important, she is not an outsider. She's the perfect guide through the heartbreak and beauty of post-earthquake Haiti. I was gripped by her respectful and first-hand reporting on Voodoo, and impressed by her enormous sensitivity to the crushing deprivation most Haitians endure. --Barbara Ehrenreich, author of Nickel and Dimed Amy Wilentz knows Haiti deeply: its language, its tragic history, the foibles of her fellow Americans who often miss the story there. This makes her a wise, wry, indispensable guide to a country whose fate has long been so interwoven with our own. --Adam Hochschild, author of King Leopold s Ghost Amy Wilentz knows Haiti deeply: its language, its tragic history, the foibles of her fellow Americans who often miss the story there. This makes her a wise, wry, indispensable guide to a country whose fate has long been so interwoven with our own. --Adam Hochschild, author of King Leopold's Ghost I can't imagine there's a better book about Haiti--a smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with Farewell, Fred Voodoo she turns all that careful watching and thinking into a riveting work of nonfiction literature. --Kurt Andersen, author of Heyday and True Believers Farewell, Fred Voodoo is written with authority and great affection for Haiti and Haitians and for those who are trying to help them. An informative and wonderful piece of writing, it is a work of considerable artistry, immensely evocative. I read it with pleasure and with mounting gratitude. --Tracy Kidder, author of Mountains Beyond Mountains Farewell, Fred Voodoo is engrossing and gorgeous and funny, a meticulously reported story of love for a maddening place. Wilentz's writing is so lyrical it's like hearing a song - in this case, the magical, confounding, sad song of Haiti. --Susan Orlean, author of The Orchid Thief and Rin Tin Tin Farewell, Fred Voodoo showcases all [Wilentz's] formidable gifts as a reporter: her love of, and intimate familiarity with, Haiti; her sense of historical perspective; and her eye for the revealing detail. Like Joan Didion and V. S. Naipaul, she has an ability not only to provide a visceral, physical feel for a place, but also to communicate an existential sense of what it's like to be there as a journalist with a very specific and sometimes highly subjective relationship with her subject. --Michiko Kakutani The New York Times I can't imagine there's a better book about Haiti a smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with Farewell, Fred Voodoo she turns all that careful watching and thinking into a riveting work of nonfiction literature. --Kurt Andersen, author of Heyday and True Believers Farewell, Fred Voodoo is written with authority and great affection for Haiti and Haitians and for those who are trying to help them. An informative and wonderful piece of writing, it is a work of considerable artistry, immensely evocative. I read it with pleasure and with mounting gratitude. --Tracy Kidder, author of Mountains Beyond Mountains Farewell, Fred Voodoo is engrossing and gorgeous and funny, a meticulously reported story of love for a maddening place. Wilentz s writing is so lyrical it s like hearing a song in this case, the magical, confounding, sad song of Haiti. --Susan Orlean, author of The Orchid Thief and Rin Tin Tin Farewell, Fred Voodoo showcases all [Wilentz s] formidable gifts as a reporter: her love of, and intimate familiarity with, Haiti; her sense of historical perspective; and her eye for the revealing detail. Like Joan Didion and V. S. Naipaul, she has an ability not only to provide a visceral, physical feel for a place, but also to communicate an existential sense of what it s like to be there as a journalist with a very specific and sometimes highly subjective relationship with her subject. --Michiko Kakutani The New York Times

With great storytelling and a wry sense of human comedy, Amy Wilentz explains Haiti--its characters, its romance, and its unique place in world history--and brings it all to life with passion. --Mark Kurlansky, author of Cod and Salt

Author Information

Amy Wilentz is the author of The Rainy Season, Martyrs’ Crossing, and I Feel Earthquakes More Often Than They Happen. She has won the Whiting Writers Award, the PEN/Martha Albrand Non-Fiction Award, and the American Academy of Arts and Letters Rosenthal Award. She writes for The New Yorker and The Nation and teaches in the Literary Journalism program at UC Irvine.

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