Overview

From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop-rapping, DJing, breaking, and graffiti-flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program.

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9780295747569

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Reviews

[W] hat Abe is up to here is well worth a read if you're interested in Seattle music and history. As he dips into various facets of the scene through the decades, Seattle hip-hop's identity emerges-intelligent, idiosyncratic, progressive, diverse in population and sound, often needlessly self-effacing. * Seattle Metropolitan Magazine * Abe is the real deal. The scholarship in this book is of enormous value to our city. * The Stranger *

""What Abe is up to here is well worth a read if you’re interested in Seattle music and history. As he dips into various facets of the scene through the decades, Seattle hip-hop’s identity emerges—intelligent, idiosyncratic, progressive, diverse in population and sound, often needlessly self-effacing."" * Seattle Metropolitan Magazine * ""Abe is the real deal. The scholarship in this book is of enormous value to our city."" * The Stranger * ""A considerable strength of the book is how it consistently grounds hip-hop in Seattle’s racial politics. As a result, hip-hop becomes a critical lens to approach and even contest Seattle’s reputation as a progressive city... Emerald Street makes an invaluable contribution to hip-hop studies, urban studies, and Seattle racial politics."" * Western Historical Quarterly * ""Daudi Abe literally wrote the book on Seattle hip-hop... an essential document spanning 40 years of Seattle history."" * Seattle Times * ""Daudi is able to capture the diverse, uncategorizable Seattle milieu and its strong sense of community and longevity."" * Choice *

[W]hat Abe is up to here is well worth a read if you're interested in Seattle music and history. As he dips into various facets of the scene through the decades, Seattle hip-hop's identity emerges-intelligent, idiosyncratic, progressive, diverse in population and sound, often needlessly self-effacing. * Seattle Metropolitan Magazine * Abe is the real deal. The scholarship in this book is of enormous value to our city. * The Stranger *

[W] hat Abe is up to here is well worth a read if you're interested in Seattle music and history. As he dips into various facets of the scene through the decades, Seattle hip-hop's identity emerges-intelligent, idiosyncratic, progressive, diverse in population and sound, often needlessly self-effacing. * Seattle Metropolitan Magazine *

Author Information

Daudi Abe is professor of humanities at Seattle Central College and author of 6 'N the Morning: West Coast Hip-Hop Music 1987–1992 and the Transformation of Mainstream Culture.

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