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OverviewFull Product DetailsAuthor: Mary Caton Lingold , Darren Mueller , Whitney TrettienPublisher: Duke University Press Imprint: Duke University Press Weight: 0.567kg ISBN: 9780822370482ISBN 10: 0822370484 Pages: 277 Publication Date: 26 October 2018 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien 1 I. Theories and Genealogies 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath 29 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley 47 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone 64 II. Digital Communities 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva 83 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley 120 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu 130 III. Disciplinary Translations 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement 155 8. ""A Foreign Sound to Your Ear"": Digital Image Sonification for Historical Interpretation / Michael J. Kramer 178 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford 215 IV. Points Forward 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden 231 11. Sound Practices for Digital Humanities / Steph Ceraso 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien 267 Contributors 285 Index 291ReviewsDigital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. -- John F. Barber * Leonardo Reviews * Digital Sound Studies offers a fascinating variety of perspectives on digital sound studies ... Works that link digital humanities and sound studies are somewhat rare, and the present volume is a rich addition to a growing body of knowledge. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. -- M. Anderson * Choice * Digital Sound Studies fuses theory and critical thinking with creative sonic practices, a fusion that is both promising and very appealing. -- Vincent Meelberg * Journal of Sonic Studies * This text provides a contemporary possibility of classroom and research work that is innovative and communal. The essays in Digital Sound Studies examine how sound is contained but held in the body, held through the body but heard through institutions and a cacophony of additional casual, aural effects. -- Kimberly Williams * Journal for the Society of American Music * Listen up. Be provoked. This adventurous book offers experiments, meditations, analyses, and ideas for a noisier digital humanities, for creative play with the intersection of print and sound recording, and for humanistic approaches to sound that could be rendered in the digital realm. Teachers, theorists, and scholar-artists who want to take new risks will find it timely and refreshing. --Louise Meintjes, author of Dust of the Zulu: Ngoma Aesthetics after Apartheid Digital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. -- John F. Barber * Leonardo Reviews * This text provides a contemporary possibility of classroom and research work that is innovative and communal. The essays in Digital Sound Studies examine how sound is contained but held in the body, held through the body but heard through institutions and a cacophony of additional casual, aural effects. -- Kimberly Williams * Journal for the Society of American Music * Digital Sound Studies fuses theory and critical thinking with creative sonic practices, a fusion that is both promising and very appealing. -- Vincent Meelberg * Journal of Sonic Studies * Digital Sound Studies offers a fascinating variety of perspectives on digital sound studies ... Works that link digital humanities and sound studies are somewhat rare, and the present volume is a rich addition to a growing body of knowledge. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. -- M. Anderson * Choice * Digital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. -- John F. Barber * Leonardo Reviews * Digital Sound Studies offers a fascinating variety of perspectives on digital sound studies ... Works that link digital humanities and sound studies are somewhat rare, and the present volume is a rich addition to a growing body of knowledge. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals. -- M. Anderson * Choice * Digital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. -- John F. Barber * Leonardo Reviews * Digital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. -- John F. Barber * Leonardo * Author InformationMary Caton Lingold is Assistant Professor of English at Virginia Commonwealth University. Darren Mueller is Assistant Professor of Musicology at the Eastman School of Music, University of Rochester. Whitney Trettien is Assistant Professor of English at the University of Pennsylvania. Tab Content 6Author Website:Countries AvailableAll regions |