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Overview"Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a ""night journey"" taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur'an and of Islamic philosophy and science in Dante's day and explores the bases for Dante's images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians." Full Product DetailsAuthor: Jan M. ZiolkowskiPublisher: Fordham University Press Imprint: Fordham University Press Dimensions: Width: 15.20cm , Height: 2.80cm , Length: 22.90cm Weight: 0.003kg ISBN: 9780823263868ISBN 10: 082326386 Pages: 384 Publication Date: 01 December 2014 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Jan Ziolkowski Approaches to a Controversy Dante and Islam: History and Analysis of a Controversy (1965) Vicente Cantarino Dante and Islamic Culture (1999) Maria Corti Dante and Knowledge of the Qur'an Translations of the Qur'an and Other Islamic Texts before Dante (Twelfth and Thirteenth Centuries) Jose Martinez Gazquez How an Italian Friar Read His Arabic Qur'an Thomas Burman Images of Islamic Philosophy and Learning in Dante Philosophers, Theologians, and the Islamic Legacy in Dante: Inferno 4 versus Paradiso 4 Brenda Deen Schildgen Dante and the Falasifa: Religion as Imagination Gregory B. Stone Falconry as a Transmutative Art: Dante, Frederick II, and Islam Daniela Boccassini Images of Muammad in Dante Dante's Muammad: Parallels between Islam and Arianism Maria Esposito Frank Muhammad in Hell Karla Mallette Islam in Dante's Italy Mendicants and Muslims in Dante's Florence John Tolan Dante and the Three Religions Giorgio Battistoni The Last Muslims in Italy David Abulafia Notes Index of references to Dante's major works General IndexReviewsThis volume gathers together some of the major figures in the study of Dante and Islam, including the seminal work of Cantarino and Corti, as well as ground-breaking articles such as Burman on medieval readers of the Latin Qur'an and Mallette on the figure of Muhammad. Dante's visionary poetry is placed in the context of western reception of Arabic literature as well as the dynamic field of Mediterranean Studies. A must-read volume for scholars and students of European views of the Muslim world. -- -Suzanne Conklin Akbari author of Idols in the East: European Representations of Islam and the Orient, 1100-1450 How much did Dante really know about Islam? This collection of essays, framed by Ziolkowski's superb, judicious introduction, offers a substantive, multi-pronged overview of a vexed question among Dante scholars: the scope of his literary engagement with the faith of medieval Muslims and their intellectual traditions. Meticulous in their treatment, incisive and authoritative, these learned articles shed light not only on Dante studies but on the broader impact of Arabo-Islamic civilization on Western cultural history. --Luis M. Giron-Negron, Harvard University This volume gathers together some of the major figures in the study of Dante and Islam, including the seminal work of Cantarino and Corti, as well as ground-breaking articles such as Burman on medieval readers of the Latin Qur'an and Mallette on the figure of Muhammad. Dante's visionary poetry is placed in the context of western reception of Arabic literature as well as the dynamic field of Mediterranean Studies. A must-read volume for scholars and students of European views of the Muslim world. -- -Suzanne Conklin Akbari * author of Idols in the East: European Representations of Islam and the Orient, 1100-1450 * This book enlightens the impact of Arabo-Islamic civilisation on Dante and makes an important contribution to the question of mutual cultural influences among Christians, Muslims and Jews in the Middle Ages. This volume gathers together some of the major figures in the study of Dante and Islam, including the seminal work of Cantarino and Corti, as well as ground-breaking articles such as Burman on medieval readers of the Latin Qur'an and Mallette on the figure of Muhammad. Dante's visionary poetry is placed in the context of western reception of Arabic literature as well as the dynamic field of Mediterranean Studies. A must-read volume for scholars and students of European views of the Muslim world. -- -Suzanne Conklin Akbari Author InformationJan M. Ziolkowski is Arthur Kingsley Porter Professor of Medieval Latin at Harvard University, and Director of Dumbarton Oaks Research Library and Collection. His research into the Latin Middle Ages has concentrated on the classical tradition, especially Virgil (The Virgilian Tradition: The First Fifteen Hundred Years and The Virgil Encyclopedia); the grammatical and rhetorical traditions; and the relationship of folk tales and vernacular epics with Latin. In Dante scholarship an edited volume on Dante and the Greeks is in press. Tab Content 6Author Website:Countries AvailableAll regions |