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OverviewFull Product DetailsAuthor: Aaron Hayes , Judy LochheadPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367191924ISBN 10: 036719192 Pages: 154 Publication Date: 30 October 2020 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction 2. Analysis: Anton Webern, Concerto Op. 24, m. 38–40 3. Duration and eternity: Messiaen’s time categories 4. Analysis: Olivier Messiaen, ‘Ile de Feu I’ from Quatre Études de rythme 5. Continuity: Boulez’s smooth time and its mathematical negotiations 6. Analysis: Pierre Boulez, Improvisations sur Mallarmé II—‘Une dentelle s’abolit’ 7. The unity of time: Stockhausen’s engagement with acoustics 8. Analysis: Karlheinz Stockhausen, Zeitmaße 9. Trauma: Goeyvaerts and Adorno on musical stasis 10. Analysis: Karel Goeyvaerts, Sonata for two pianos, movements II–III 11. Spacetime: Xenakis and the end of the discourse on musical time 12. Analysis: Iannis Xenakis, Nomos AlphaReviewsAuthor InformationAaron Hayes is an independent scholar who teaches music in Northern Idaho. He completed his PhD in music at Stony Brook University in New York, 2016. Tab Content 6Author Website:Countries AvailableAll regions |