Overview

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: the development of colour technology how visual stule was affected by the shift from black and white to colour colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima colour in the films of Godard, Hitchcock, Almodovar and many more. Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

Full Product Details

Author:   Angela Dalle Vacche (Georgia Institute of Technology, Atlanta, USA) ,  Brian Price
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   annotated edition
Volume:   v. 2
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.521kg
ISBN:  

9780415324434

ISBN 10:   0415324432
Pages:   214
Publication Date:   23 June 2006
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Reviews

'[This book] remains an important stepping-stone in film studies... [and] can be considered an accomplishment'. - Film International

Author Information

Angela Dalle Vacche, Brian Price

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